Reviewer: Julie Lynn Hayes
In 1994, a 13-year-old blond hair, blue-eyed boy named Nicholas Barclay disappeared from his home in San Antonio, Texas. Almost four years later, the family received a call that Nicholas had been, alive and well… in Spain? Everyone was overjoyed, and Nicholas’ sister Carey was sent to retrieve him and bring him home, which she did. If something seemed a little off, such as the fact that he was now a brunet, with brown eyes, he spoke with a heavy accent, and he didn’t really remember his former life… well, no one really questioned that, just happy to have their boy home.
The only problem was… he wasn’t their son. He wasn’t even sixteen. And the reason he looked nothing like Nicholas was because he was 23-year-old Frederick Bourdin, a serial imposter.
This documentary explores the disappearance of Nicholas Barclay and his impersonation by Frederick Bourdin. Bourdi’s, also known as the Chameleon, motive is pretty straight forward. He was in a predicament in Spain and saw the best way of getting out of it was to pretend to be an American, to take the place of a missing child. It was his misfortune to choose a child that he resembled in no way.
And yet the family embraced him.
This case is not only mind-boggling, it’s confusing. Did the family want so much to believe Bourdin was Nicholas that they could overlook major differences in appearance and personality? Or was it more convenient to pretend he was, because then no one would go looking for the missing boy any more, believing him to have been found. This theory was put forward by a private investigator, who did his own digging, but came up with nothing conclusive. The mother was polygraphed three times, and failed miserably the third time (according to what I read, that was the only one she was sober for)
The documentary leaves more questions than it answers. I believe Nicholas is long dead, and only the family knows where. But proving that is something else. I’ll give this film 3.5 Stars.
Resurrect Dead: The Mystery of the Toynbee Tiles
Mysterious tiles have been found in locations across the US, including Philadelphia, New York, St. Louis, as well as in a few sites in South America, such as Rio de Janeiro, Santiago, and Buenas Aires. The tiles speak say Toynbee Idea in Kubrick’s 2001 Resurrect dead on planet Jupiter. But what does this even mean? One man named Justin Duerr was determined to find out. And so the mystery begins…
The parts of the message seem self-explanatory. Toynbee refers to historian Arnold Toynbee, 2001 is a film by Stanley Kubrick, the resurrection of the dead is obvious, as is planet Jupiter. But what do they mean together? And who placed all these tiles? Justin Duerr and his fellow researchers take us on a journey of exploration to discover the meaning of the tiles as well as the identity of the person who placed them.
The interesting aspect of this documentary is in the search itself, more than in what the tiles mean. The idea that the dead can be resurrected on the planet Jupiter seems rather far-fetched. But figuring out who was behind it is far more interesting.
It was never explained just how these tiles are embedded in the asphalt, despite Justin’s ideas of how they were laid and by whom. His conclusions regarding the person behind them seem sound, but they never obtained verification. Even so, it’s an interesting mystery, and maybe someday we’ll have a definite answer as to who was behind it. I’ll give this documentary 3.5 Stars.
This one will be short because I think I watched maybe 10 minutes before I turned it off. All I know is James Franco is a doctor at some institute for people who need to get away from it all or something like that, it’s supposedly based on true events, and the acting is so abysmal I had to quit watching. My advice is do not watch this.
Horror writer Roger Cobb (William Katt) is having troubles. His son disappeared, and his marriage to his actress wife Sandy (Kay Lenz) has fallen apart. He moves into the large house left to him by his aunt, who apparently hung herself there, and where she raised him as a boy. He still remembers her telling him the house is haunted, but that can’t be true… can it?
Roger is currently working on a new book that chronicles his time in Viet Nam, and the guys in his unit. His agent seems skeptical, but Roger feels this is the story he needs to tell. Roger’s next door neighbor Harold (George Wendt) comes over to welcome him, and quickly reveals that he is a fan. He’s also a bit nosy and doesn’t hesitate to walk into the house at any time. There is a hot blonde living right across the street who sees no problem in using Roger’s pool when the mood strikes her.
Roger had intended to sell the house, but something impels him to move in instead. That’s when he
begins to see things, and he finds himself being attacked by strange monsters, such as the one in his closet. Maybe if he keeps taking his valium, the things that go bump in the night will just go away, right? Except it’s not working so far.
This was actually a lot better than I anticipated, to be honest. I know William Katt was in a show called The Greatest American Hero, but I never watched it. That should have tipped me off that this horror movie would have a comedic touch, and it did, especially when it came to the monsters in the house. They aren’t your garden variety monsters. Sometimes when he was working on his new book, and reliving it all in his mind, I had to wonder if the monsters were symptoms of PTSD or something. Or it is, like Aunt Elizabeth said, that the house is simply haunted?
Look for Richard Moll (Bull Shannon from Night Court) as one of Roger’s Viet Nam buddies. And yes, George Wendt is Norm from Cheers. It’s actually a fun watch, and I look forward to seeing what the sequel is like. I’ll give this film 4 Stars.