Monthly Archives: November 2021

Saturday is Horror Day #38 – Krampus: Origins, Jeepers Creepers 3, Prisoners of the Ghostland

Reviewer: Julie Lynn Hayes

 Krampus: Origins, Jeepers Creepers 3

I am going to make these reviews short, basically because I didn’t finish either one.  Krampus: Origins takes place during WWI. There are soldiers, there are nuns, I think. Orphans. But mostly it has bad acting, bad writing, and a ridiculous story. I gave up after fifteen minutes.

I got farther with Jeepers Creepers 3 but also gave up, both because of problems with the disk and because I was really confused as to what was happening. I have the feeling this one takes place between the first and the second, which makes no sense to me, and it was boring. I’m not going to rate either one, just recommend avoiding both of them.

Prisoners of the Ghostland


Hero (Nic Cage) and Psycho (Nick Cassavetes) rob a bank, but things go horribly wrong. Hero hadn’t intended for anyone to get hurt, much less an innocent child. In attempting an escape, Hero unwittingly causes another child, a young girl, to be injured and her mother killed.

 

 

 

Years pass. The warlord of Samurai Town, the Governor (Bill Moseley) has a tight grip on the inhabitants of this pseudo Western town. But when his adopted granddaughter Bernice (Sofia Boutella) disappears, he calls on the only man he believes capable of finding her and bringing her back to him – Hero. He promises Hero his freedom when he accomplishes his mission. But of course there is a catch. Since he doesn’t trust the man, he has outfitted him in a special leather suit with some interesting modifications. Namely, explosive devices set to go off at pre-set times or under particular circumstances. He has three days to find Bernice, each passing day chiming on a wrist band. When he finds her, she has to speak her name into the wrist band, and he will have two more days to return her.

 

Another explosive device is around his neck, and another around his crotch – to make sure Bernice comes back pure and unviolated. He gives Hero the keys to a car, and he takes off. Hero runs into trouble and crashes his car, finding himself in a strange place with strange people. He shows them the picture of Bernice and asks if anyone has seen her, but no one is talking. There is something really off about this place. Some of the girls are dressed like mannequins. And some of the men are concerned with a giant clock and a prophecy regarding the starting again of time.

Hero locates Bernice and tells her she must come back with him… even if she doesn’t want to. She 


actually left Samurai Town of her own volition. But Hero is running out of time – and body parts – and he has to bring her back. But what is he bringing her back to?

I can’t say this is an uninteresting film, or that it doesn’t have some very unusual sequences and pretty shots. But I can say it doesn’t make a whole lot of sense. As if someone edited out some of the important scenes that might have helped to create a more coherent story.

The basic premise is easy enough to understand. Hero needs to find Bernice and bring her back before his suit blows up and he will be set free from prison. But the subplots are … confusing at best. The large clock? Is that the atomic clock? Or it is making a statement that the people are all prisoners of time? I don’t know. There is a strange Japanese style Greek chorus, as well as the human mannequins. And from what I can tell there are references to the aftermath of the atomic bomb, whether the real ones that were dropped in 1945 or future bombs dropped at some indeterminate date. The backdrop of Samurai Town is almost like spaghetti Western meets samurai film, and then they threw in Nic Cage to play the part of the hero. 

Don’t get me wrong. I found the film worthwhile just to watch Nic Cage in action. The rest of it, though, is another matter. Hero feels guilty over the death of the little boy, even though he didn’t cause it, and the ghostly child keeps popping up. Why Hero is robbing banks in Japan, I have no idea.  Then there is the busload of prisoners who end up in an accident and become the victims of some sort of atomic radiation.

All in all, I would recommend it to Nic Cage fans, otherwise probably not for others. Just for that reason, I’ll give it 3 Stars, because I do love me some Nic Cage.

Wednesday Briefs: November 24, 2021

Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page.

Ancalagon: Chapter Sixty-six by Cia Nordwell

Garjah insisted on going out first, even though I was sure it was a bad idea. He was equally sure being faced with a human who didn’t look exactly human would bother them more.

“What are you waiting for? Come out! All four hands up, if you have four.”

“We are not a threat to you. Stay calm. We are coming out.” Garjah squeezed my shoulder. “Keep Bouncer calm. Maybe we should have sedated him.”

“No, it’s not good for him.” The cerops was leaning against my thigh, and I could practically feel him vibrate, but I felt shaky myself.

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Saturday is Horror Day #37 – False Positive, See No Evil (2006)

Reviewer: Julie Lynn Hayes

 False Positive

Lucy (Ilana Glazer) and Adrian (Justin Theroux) have been trying for about two years to get pregnant, with no luck. Adrian manages to land them an appointment with Dr. John Hindle (Pierce Brosnan), a highly noted fertility specialist who was Adrian’s teacher in med school. He assures them they are in good hands and he will do everything he can to assure them a baby through IVF. Before long, Lucy is pregnant – with triplets!  Two boys and a girl.

 

Dr. Hindle suggests that three babies will be too much, considering Lucy’s previous history, so suggests he perform a selective reduction and suggests keeping the twin boys, who share a placenta. Lucy is appalled, already having named her unborn daughter Wendy, after the girl in Peter Pan. She wrestled with her conscience and finally agrees to the reduction, but they have to save Wendy, which the doctor agrees to.

 

Lucy’s career seems to be taking off, for which she is ecstatic, although Adrian encourages her to be a stay-at-home mom. But she begins to feel off, not herself. The other expectant mothers in her group attribute this to mommy brain, but Lucy doesn’t think so. Plus she finds Dr. Hindle’s nurse, Dawn (Gretchen Mol), more than a little creepy, and definitely a fervent admirer of the doctor and his work.

Lucy sees an advertisement for a mid-wife named Grace Singleton (Zainab Jah) and despite knowing 

Adrian wouldn’t approve goes to see her. She is comforted by the woman’s manner, and decides to go with her instead of Dr. Hindle. As predicted, Adrian is angry but Lucy’s mind is made up. However, when the time comes, things don’t go as planned, and Lucy has to be rushed to the hospital, where a huge surprise awaits her.

I noticed this Hulu exclusive movie and decided to give it a try, primarily because I just love Pierce Brosnan. There is a lot going on here, more than just the pregnancy. The film seems to tackle broader issues, such as male dominance, the role of women, and more. It has definite Rosemary’s Baby vibes. I have to confess I figured out the twist but not the ending. It was a sufficiently creepy film that could have been a little better. Gretchen Mol was creepy in the way she played the nurse, and Pierce was very creepy as well. It was worth watching. I’ll give it 3.5 Stars.

See No Evil (2006)

A routine call goes horribly wrong for two police officers when they are attacked by a psychopath with an axe while attempting to rescue a young woman whose eyes have been cut out. The rookie ends up dead while the other officer is maimed, but only after shooting the killer in the head. Four years later, he’s working at the Detention Center for troubled youth. A group of them have been offered a chance to shave a month off their sentences. All they have to do is a little community service.

The teens end up at the Blackwell Hotel, which has definitely seen better days. But the owner intends to renovate it as housing for the homeless. Kids being kids, they intend to party as much as possible. After all, not obeying the rules is what got them there in the first place. And they didn’t exactly volunteer for this duty, they were impressed into it. The hotel is in terrible shape, and bugs and rats are not uncommon.

 

Unfortunately for them, the psychopath is hiding in this hotel, and he sees them as fresh meat, and he is more than happy to kill and kill again. With no way to contact the outside world, can the teens survive long enough to tell about it?

I have to say that this film is long on blood and short on most everything else, including actual plot or 

character development. Granted, that’s not necessarily a requirement in a horror film, but it helps. I would call this movie an example of horror porn. It moves from one bloody scene to another for the sake of blood and death.

Which is all well and good, if that’s what  you’re looking for. But I had other issues with the movie. Such as these so-called teens looked older than that. What, couldn’t they find actual teen actors?  Also, I can’t believe they could just arbitrarily assign these delinquents to that kind of duty without at least notifying their parents, if not getting written permission.

As I said, the hotel is in deplorable state. Three days of work from these kids is not going to put a dent in what needs to be done. Not to mention, none of them seem to have any experience with this sort of things. Furthermore, I would think before the hotel is ready to be cleaned, they would need to send in an exterminator to help with that pest problem, ie rats and bugs.

Finally, none of the teens seem horribly disturbed by this place, or the thought of sleeping there for three days (I don’t think any of them brought a change of clothes or anything). Someone should be at least a little freaked out here. And one couple chooses to have sex in a maid’s room. God knows how long since those sheets – or anything else in this hotel – have been cleaned. The very thought is disgusting. 

We get some glimpses into the motivation of the killer, Kane,and his overly religious fanatic of a mother who made his life as a boy a living hell. His actual reason comes to light at the end of the film.

The acting is tolerable, nothing to write home about. Most of the horror is of the gory variety, and it’s of the kind that thinks it’s better to be watching it than living it. There is a sequel, which I’ll review once I get it from the library. In the meantime, I’ll give this one 3 Stars

Book Review: 21st Century Boys, Vol 2: 20th Century Boy by Naoki Urasawa

21st Century Boys, Vol 2: 20th Century Boy     

Author: Naoki Urasawa

Publisher: Viz Media

American release date: March 19, 2013

Format/Genre/Length: Paperback/Manga/Mystery/Sci-fi/200 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

Time is ticking away! If they don’t figure out where the remote control for the giant robot is, it will press the button that detonates the anti-proton bomb, and all of mankind will die! Kanna tries to force her way in to see Kenji, saying she knows the remote is in the secret headquarters. But the guards won’t let her pass, since Kenji has gone into the game and is not to be disturbed. Will he find the answers he seeks in the past and will Kanna find him in time to stop the bomb?

And now we reach the climax of our story. Twenty-four volumes have brought us to this point. So much going on as the threads come together and complete the picture, and Kenji finds his answers. It just goes to show that even one small act can have dire consequences. Kenji isn’t the only one who learns this. Manjome too wishes he could undo what he did before, but alas, he cannot. However he can try to help Kenji as best he can.  Watching Kenji interact with his younger self was fun.  Watching the drama unfold as everyone tries to save the world was great. And at the end, balance is restored, and life goes on.

This was an amazing series, and I enjoyed the journey. Hope you enjoyed it as well. See you in the next series when I start to review Pluto.

Wednesday Briefs: November 17, 2021

Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page.

Garret Farm: Part 13 by J Ray Lamb

Sandy picked up the NDA from the table and read through it.

Standard stuff here – he thought as he read it.

It wasn’t until he got to the ‘Remedies and Enforcement’ section that he stopped and realized this was far from a standard contract. It was considered valid until his death and enforcement for violation included a public accounting of all of his actions while employed on the farm and all of his assets up to and including his person.

What the fuck is going on out here?! – he was curious but he wasn’t sure he was that curious.

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Book Review: 21st Century Boys, Vol 1: Death of the Friend by Naoki Urasawa

21st Century Boys, Vol 1: Death of the Friend   

Author: Naoki Urasawa

Publisher: Viz Media

American release date: January 15, 2013

Format/Genre/Length: Paperback/Manga/Mystery/Sci-fi/200 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

Kenji’s arrived at the Expo Center and the crowd goes wild. They want to hear him play their song… but he refuses, tells the band to play instead. A helicopter explodes above them and crash lands inside the arena. Not everyone makes it, including Sadakiyo and Friend. When Kenji removes the Friend’s mask at last, he sees… Fukube!  How can that be? He died a long time ago. Nothing is making any sense.

Back in the past, an old woman in a convenience mart broods over which of the children has stolen a badge from her store and angrily scans every child who walks by, seeking the thief. A boy in a mask reveals his strange dream to a few of his friends, who aren’t particularly interested until he tells them they were in it, and one of them killed the other. They are not amused and walk away. The boy debates telling them the ending… about the final bomb. The one that will really kill all of mankind. Or at least those who remain on the planet.

Maruo and Yoshitsune tell Kenji they saw a ghost at a Shinto shrine, but Kenji doesn’t believe them and decides to find out for himself… only to come face to face with himself!

In the present, the UN forces have assumed control of Tokyo after the destruction of the Friend regime. A profiler interviews Kenji, to learn what he knows about the Friend. Most particularly he is interested in learning what Kenji knows about the last page of the New Book of Prophecy, the one that speaks of an anti-proton bomb that will destroy the world. The UN is taking this threat very seriously. They plan to send forces into Friend World, into the virtual reality game,  but Kenji tells them that won’t work. He has to be the one to go there.

So much of the past is finally being exposed as present, past, and future reveal themselves in an elaborate tapestry, one  woven by a master. Things that didn’t make sense before become clear.  I really enjoyed watching the relationship of Kenji and Yukiji from the beginning. Gosh, Kenji was… is… so dense.  At the same time, the more we learn, the less we know. So much to grasp. A copy of a copy?  Fukube? Sadakiyo? Someone else? Kenji runs into Manjome in Friend World. He’s lost his way and is seeking a way out, but Kenji has to tell him that won’t work because in the real world he is dead. We see more and more of Manjome in the past, and the part he played in what happened.

Detective Chono seeks answers regarding his grandfather, the legendary Cho-san. And Kenji wants to know why he was called evil. What did he do in the past that would warrant such an accusation? The story isn’t over yet, one more book to go. Is there an anti-proton bomb? And can they find it before it takes out the world? On pins and needles waiting to find out!

Book Review: Silverview by John Le Carré

Silverview         

Author: John Le Carré

Publisher: Viking

American release date: October 12, 2021

Format/Genre/Length: Paperback/Fantasy Manga/224 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

 

Julian has left life in the big city to run his own bookshop in a small English seaside town. After a chance visit from a local resident, Edward Avon, aka Teddy, he learns that Avon was a friend of his father and had worked with him at one time. Edward is a very agreeable fellow and is delighted to share his ideas with the younger man, including plans for a sort of literary paradise to be located in the basement of the shop. And thus the idea for the Republic of Literature is born.

Unsure of just how to take Edward, Julian questions another shopkeeper, Celia, who is very fond of Edward, and gives him a great deal of information. Edward’s wife is very ill, and she and Teddy aren’t on the best of terms. Her late father bequeathed her a great deal of money, as well as the house now known as Silverview. Teddy changed the name after he became fascinated by Nietzsche. The couple have a daughter named Lily.

Stewart Proctor receives a letter from the daughter of one of his agents. The information it contains is very disturbing, and so he begins his own investigation to check into the accusations contained therein. In the meantime, Teddy has graciously installed computers in the future Republic and has begun to search for just the right books they will need to fill its shelves when the time comes.

Proctor uses the cover story of using retired agents as potential training instructors for future hires to questions them on various subjects. In particular, a spy whose code name was Florian, who was active during the Bosnian crisis and who was deeply affected by events that happened then.

The more Julian learns about Edward, the less he knows. He meets his dying wife Deborah, herself once an agent, and their daughter Lily. There is some sort of spark between him and Lily… maybe.  But as events begin to unfold, Julian finds himself in the middle of something he never dreamed he’d ever be a part of.

John Le Carre’s SIlverview is like a tapestry. It starts out with a number of loose threads, but as you keep reading the threads begin to wind themselves about one another until they form a picture. It’s a fascinating story about spies as people, and some of the aftermath of their experiences and how those affect them.  I like Julian and found him an astute and sympathetic observer, but the true star of this book is Edward, aka “Teddy”, aka Florian. A very likeable and complex man whose life of professional deception has carried over into his actual personal life, to the point where it’s hard to tell where one leaves off and the other begins. Is he who he seems to be? Was he ever?

If the ending isn’t quite as clear-cut as one might like, well, that’s life. It’s clear enough to those who are left behind. After all, life doesn’t always wrap up nicely and neatly, much as we wish it might. But we have a clear idea of what lies ahead for the characters we’ve come to care about. Can one ask for anything more?

John Le Carre is truly the master of spy fiction, and I think his final work is a testament to his craft and well worth reading.

Saturday is Horror Day #36 – Waxwork II: Lost in Time, See No Evil: The Moors Murders, Jeepers Creepers 2

Reviewer: Julie Lynn Hayes

 Waxwork II: Lost in Time

Mark (Zach Galligan) and Sarah (Monika Schnarre) have just escaped from the flaming ruins of the Waxwork. They’re tired and they just want to go home. Their job is done… or so they think. Little do they suspect that a disembodied hand has survived the inferno and has followed Sarah home! The hand attacks her stepfather. Sarah tries to save him, but her efforts are in vain. Unfortunately, that’s a hard scenario to explain to the police, and Sarah is accused of her stepfather’s murder!

 

Mark is determined to save her, but they need proof. The question is how to get it? They go to Sir Wilfred’s house and find a video message he left for Mark in the event of his demise, with a cryptic explanation of how to go back in time. But the two figure it out and off they go!

 

The second Waxwork film is even campier than the first one as the two would-be lovers seek the evidence they need to clear Sarah of murder (whatever that might be, to prove that disembodied hands do exist and can kill people). Played for even more laughs than the first one, this film is also gorier, so watch out for that spraying blood and flying body parts. At the same time, don’t look for any kind of logic here either.

Doesn’t this remind you of a scene from Die Hard, where one of the bad guys is about to take down Bruce Willis, John McClaine? Not surprising, as this is Alexander Godunov, who also played in Die Hard. And that will give you some indication of what the film makers were going for as they fly through various points in time and pay homage to a number of different stories, some of which I may even have missed.  (One reviewer referenced Invasion of the Bodysnatchers, which I remembered from the first film, not the second). 

We see Baron von Frankenstein and his monster, and also the ship and crew from the movie Alien. There are references to Poe, including the Raven, as well as Dawn of the Dead. One black-and-white sequence has a very funny Bruce Campbell. I believe he’s meant to be related to Mark, but if so, no one mentions it. There is a montage of quick visits that include Jack the Ripper and Godzilla, and a lengthier story that takes place in the time of King Arthur (although they never use his and his knights remind me of the Knights Templar, with their Maltese crosses. John Ireland plays the king, and Michael Des Barres his right-hand man, George. Alexander Godunov is Scarabis, the would-be usurper of the throne. Look for a small cameo appearance by Drew Barrymore in the Nosferatu sequence.

While the film was funny,  sometimes it’s just a bit unbelievable. I mean, Sarah is being tried for murder, and they’re not holding her in the jail? When does that happen? I find it hard to believe either one of them could make her bail, assuming they even set bail for such a heinous crime. The story is inconsistent and weak, and most of the time we forget why they are really traveling in time and just going with the traveling thing.  The ending is rather unbelievable too, and the film is, much like the first one, too long. Better writing would have benefited this immensely. I don’t think there is room for a third. I’ll give this one 3 Stars.

See No Evil: The Moors Murders

In 1965 England, children disappeared without explanation, alarming the community. Maureen and Dave Smith (Joanne Froggattand Matthew McNulty) are a young married couple with a baby of their own. They’re distraught when the child unexpectedly dies. Maureen is close to her older sister Myra (Maxine Peake), although she is wary of Myra’s boyfriend Ian Brady (Sean Harris). Even so, she encourages her husband to get close to Brady, at Myra’s request.

The two couples takes trips out to the moors together, where Brady shows Dave how to fire a gun. They talk about robbing a bank, as the Smiths are low on funds and about to get evicted. Myra comes to get Dave one night and takes him back to their house where he witnesses Brady kill a man. Dave is horrified and tells his wife. Together they approach the police, who pick up Brady and Myra, who lie and say that Dave helped Brady kill the man.

 

Dave tells the police that Brady boasted of having killed someone before. and he shows them photos taken on the moor. The police begin to look at Brady and Hindley as suspects but they have no evidence of the missing children. Life is getting harder for the Smiths, who are looked up as suspects despite the fact that they came to the police of their own volition.  If only they could find the spot where the photos were taken, then maybe they’ll be able to find the childrens’ graves and make a case against the pair.

 

This is the true story of the Moors Murders, a case I read about many years ago. The series is very well done, and very well acted. Most of it is from the POV of Maureen and Dave Smith, and doesn’t glorify the killers in any way. It’s very informative and interesting besides being good drama. I give this series 4.5 Stars.

Jeepers Creepers 2

The Creeper lies dormant for 23 years and then he returns for 23 days in order to feed. Twenty-three years have passed since the last time, and now it’s day 22…

Billy Taggart is helping out on the family farm, putting up scarecrows, when he notices that one is acting rather strangely. Too late, he realizes this is no real scarecrow. Despite his screams for help, his father Jack Sr (Ray Wise) and older brother Jack Jr (Luke Edwards) are helpless to do other than watch as he is flown away by a large creature.

On Day 23, a busload of high school students is returning from a victorious tournament. Suddenly the bus lurches to a halt. The bus driver, Betty (Diane Delano) discovers a strange looking implement has shredded the tire, something very odd and disturbing, as it contains what appears to be a human tooth.

 

It’s getting dark, but no one can get cell reception. So the coach goes out to light some flares and put 

them on the road so they can be seen. But he suddenly disappears. Another adult goes to finish the job, but this time they see what flies out of the sky and grabs him, to their horror!

One by one the adults are picked off, leaving just the frightened teens. But rather than behaving like a team, they fight amongst themselves, which doesn’t help the situation. When they finally manage to make contact with someone, he tries to pinpoint their location, but they only vaguely know where they are. They believe that help is now on the way, but they have only managed to contact Jack Taggart Sr, who is determined to kill the creature who killed his son.

 

I liked this sequel to the original Jeepers Creepers. It has a solid premise and decent acting. Not surprising that it has good production values, it’s a Coppola production. It was certainly creepy, and the division among the team players was realistic, although it never came out and said racism, but it was pretty evident what the problem was, at least for one student.

The part about the student who had some kind of telepathic abilities, though, was a bit much, and really just served as exposition to explain to the kids what they were dealing with. Seemed kind of hokey to me. Still, all in all, it was a decent horror film, and worth watching. I’ll give it 4 Stars.

Book Review: Demon Slayer, Vol 8 by Koyoharu Gotouge

Demon Slayer, Vol 8     

Author: Koyoharu Gotouge

Publisher: Viz Media

American release date: September 3, 2019

Format/Genre/Length: Paperback/Fantasy Manga/192 pages

Overall Personal Rating: ★★★★

Reviewer: Julie Lynn Hayes

 

Thanks to the Demon Slayers, the Train of Infinite Dreams has been derailed, but Tanjiro stays Inosuke’s hand when he would kill the demon responsible. Tanjiro says “he’s suffered enough”. The demon blames Tanjiro for what happened, but most of all he blames Rengoku. Although Tanjiro is injured, he is encouraged by Rengoku to keep doing his best, which words he takes to heart.

But it’s not all over, not when a higher rank demon suddenly appears! Impressed by his strength, he tries to get Rengoku to become a demon. If not, he plans to kill him. Rengoku warns Tanjiro to stay still, so he can heal, and not to get involved in this fight. As morning approaches, and with it the light, the demon fights even harder, and although Inosuke and Tanjiro join in the battle, the results are not as they would wish.

Rengoku tells Tanjiro that he believes in Nezuko, having seen that she is good, and  not to grieve over him. But of course Tanjiro grieves, as so the other Hashira. Meanwhile the demon reports to Lord Muzan, who is currently using the appearance of a child. Muzan isn’t impressed with the death of one demon slayer – he seeks the death of the entire corps.

Entrusted by Rengoku with messages for his father and brother, Tanjiro slips away, although not fully healed, in order to comply with Rengoku’s wishes. While his brother is sad, Rengoku’s father is angry and denounces his son as worthless. He takes out his frustrations on Tanjiro. And if that wasn’t bad enough, Tanjiro has to face Haganezuka again!

Tanjiro stops Ranao from being kidnapped in order to go on a mission,  but finds himself volunteering in her place, and he is joined by Inosuke and Zenitsu.  Oh-oh, what’s up now?

This volume was unexpected due to the loss of some we barely got to know. Much sadness, but that, of course, is a part of life., which is one of this manga’s strengths. The good don’t always win and the bad don’t always lose.  Tanjiro is growing as a character, but to are Inosuke and Zenitsu.  I am curious to see what mission the three will undertake next, and who is this guy with the unusual bejeweled look? Good volume, looking forward to the next one.

Book Review: Blue Exorcist, Vol 26 by Kazue Kato

Blue Exorcist, Vol 26     

Author: Kazue Kato

Publisher: Viz Media

American release date: October 5, 2021

Format/Genre/Length: Paperback/manga/paranormal/234 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

 

Aboard the Illuminati airship, Rin and Yukio face one another, while Satan is out of control and baiting them both. Sir Pheles has slipped a hapless Miwa onto the same ship in order to give something to Rin, and he is freaking out when he runs into Shima. Prior to Rin’s arrival, Yukio was prepared to take out his own eye… the one Satan is peeping through. Rin immediately tries to persuade Yukio not to join the Illuminati, telling him what a bad idea that is.

Miwa and Shima come upon the two brothers as they face off, hiding and biding their time while they bear witness to their conflict. Rin is determined to bring his brother back to the fold, alive, while Yukio wants Rin to kill him and put him out of his misery and out of Satan’s control.

Meanwhile, an announcement comes over the ship’s intercom system informing everyone to prepare for Serafim pulse in five minutes. Shima explains that it’s a blast from the ship’s power source, but they should be safe where they are… hopefully.

As Rin and Yukio go toe to toe, Rin is waging his own internal war with his other side, and it’s anyone’s guess how this will turn out.

This volume is largely the wildly fluctuating battle between the two brothers. Even as they fight, I think each is learning a new appreciation for the other. Rin has always looked upon Yukio as the weaker younger brother but he’s finding out otherwise. And Yukio is gaining a new understanding of Rin’s strength. In the meantime, we have an over the top Satan. Without Yuri to keep him in check, Satan is a nasty piece of work. She was what kept him even remotely human. Will he destroy everything, or can he be overcome?

And just where is Sir Pheles hiding?

Another great volume, looking forward to more. Although to be honest, I’d like to see the plot move forward at a slightly faster pace, and I wish there wasn’t so long between volumes.