Tag Archives: horror movie reviews

Saturday is Horror Day #165 – Death Line (aka Raw Meat), All About Evil

Reviewer: Julie Lynn Hayes

Death Line (aka Raw Meat)

People have been going missing in the London tunnels. But it isn’t until Alex (David Ladd) and Patricia (Sharon Gurney) comes across a man in trouble who turns out to be a government official that the situation is taken seriously. They tell the authorities that a man is lying on the steps, maybe dying, but when the police return he is gone.

Inspector Calhourn (Donald Pleasance) is in charge of the case, although he spends more time questioning Alex, as though he’s guilty of something, than searching for anyone. However, he gets more than a little defensive when MI5 tries to step in, after the disappearance of James Manfred OBE (James Cossins), in the form of  Stratton-Villiers (Christopher Lee0. There is something odd in the tunnels, and it’s looking for trouble.

This film dates back to 1972. It has an unusual and interesting premise, but I didn’t realize what it was

until I read the synopsis.  That premise, though, does seem a little farfetched, although I’m not going to give it away. And although Christopher Lee is given top billing with Donald Pleasance, he only appears in one scene, so it’s actually more of a cameo. Still, watching Donald Pleasance act is always a treat. And if you like bodies and gore, then this is the film for you. Did I find it scary? Not really. I’ll give this film 2.5 Stars, mostly because of Pleasance and Lee.

All About Evil

As a little girl, Debbie Tennis (Mikayla Rosario) was close to her father Walter (Robin Calvert). He encouraged her acting and showcased her at his theater, The Victorian. But life does not always work out the way one wants. Years later, Deborah (Natasha Lyonne) works during the day as a librarian at the local library and by night at the failing theater, along with her projectionist Mr. Twigs (Jack Donner). Steven Thompson (Thomas Dekker) is a high school student who is fascinated with horror and is a devoted fan of the theater and of Deborah. He would love to work there someday, although his mother Linda (Cassandra Peterson) isn’t exactly thrilled with that idea.

Deborah grieves the recent loss of her father. One night, her mother Tammy (Julie Caitlin Brown), who

she is not close to, tries to coerce her into signing the papers that will sell the theater, which they are co-owners of. Deborah refuses, but her mother presses the issue until Deborah snaps and kills her.  Unfortunately, the theater’s cameras caught the whole thing. Even worse, while Mr. Twigs is running an errand, he’s late to return and Deborah, who just killed her mother, has to start the film. She doesn’t know what she is doing, and accidentally screens the footage of her killing her mother. The audience loves it. And so does Mr. Twigs, who catches it upon his return.

And now they have an idea of how to bring the theater back to life, as well as Deborah’s dying film career – snuff films! But no one realizes they are really killing the people in the film!

I actually found this a fun and interesting little film I never heard of before. I know I’ve seen Natasha Lyonne before, but she does play crazy well in this as she gets more and more involved with the killing of people for art’s sake, along with some rather willing accomplices.  She ends up making some short classics, such as The Maiming of the Shrew and The Scarlet Leper. Among the cast, look for Cassandra Peterson as Steven’s mother. In case you don’t know her, she is Elvira, Mistress of the Dark, but in this film, she looks nothing like that (Do look at the poster in Stephen’s room, though, it’s an actual poster of Elvira). I had fun watching this and I would watch it again. I’ll give this film 3.75 Stars. You can catch both of these films on Shudder, as of the date of this post.

Saturday is Horror Day #164 – Titane

Reviewer: 

Titane

As a result of a childhood accident, Alexia (Agatha Rousselle) is left with a titanium plate in her head. Fast forward to her adulthood. Alexia is a car model, wearing skimpy clothing and writhing on top of automobiles. She leads a rough life and is clearly unhappy. One night, an encounter with an obsessed fan ends badly. Afterwards, she finds herself in the car she has come to love, having sex – with the car.

Due to her own actions, Alexia has to become someone else to avoid the law. She spots a computer-aged

picture of a missing boy who would be 17 now, and disguises herself as him. She presents herself to the law and the father Vincent (Vincent Lindon) is called. He identifies his “son” Adrien and takes “him” home. Vincent is the captain of a firefighting brigade and they don’t know how to take Adrien. Alexia binds herself to pull off her disguise, including her pregnant belly. But the deception begins to take a toll on her.

This is, without a doubt, a strange film. I was intrigued by what I read was the premise, of a woman having a sexual relationship with a car and getting pregnant, but this is not what I expected. It’s rather dark and violent, and the scenes with Vincent are both tender and sad. He wants to hold on to his “son”, no matter what – including if he isn’t his son. I can’t deny it’s well-made, and the performances are good, but it just didn’t do it for me. And leaves many questions.

I can’t say I recommend it, but I will give it 3 Stars. I wouldn’t watch it again.

Saturday is Horror Day #163 – Late Night With the Devil

Reviewer: Julie Lynn Hayes

Late Night With the Devil

It’s the 70s, and Jack Delroy (David Dastmalchian) is a late night TV talk show host who is determined to compete against the Tonight Show for ratings. But he never quite succeeds, no matter how hard he tries. He has his own sidekick, Gus (Rhys Auteri), as well as his own band. It’s Halloween, and he has some special guests lined up for the occasion, including a psychic Christou (Fayssal Bazzi), a woman who wrote a book about conversations with the devil, June Ross-Mitchell (Laura Gordon) and the girl who is the subject of her book, Lilly (Ingrid Torelli) as well as skeptic Carmichael Haig (Ian Bliss). Christou seems fraudulent at first, fumbling with his “psychic” impressions, until he hits on one that resonates with the host. Mysterious afflicted suddenly, Christou is rushed to the hospital, to everyone’s horror.

Lilly comes off as very bratty and an attention-seeker. Haig has an ongoing offer to anyone who can prove

the existence of the supernatural. When the audience clamors to see June bring out the so-called entity inside of Lilly, the one she calls Mr. Wriggles, she reluctantly agrees. And then things get even darker…

When I saw the trailer for this film, I admit I was intrigued and couldn’t wait to see it, hoping I wasn’t seeing all the best scenes. I was not disappointed. This is rather unique in horror films, and very entertaining. It captures the feel of late night talk shows from the 70s, and David Dastmalchian does a great job as the main protagonist. Everyone does well, including the Ed McMahon-like sidekick, Gus, who tries to warn Jack not to meddle with things, that he is in over his head. It’s well-written and well-acted and directed, and leaves you in suspense as to what is going to happen.  I haven’t touched on everything in the film, because I don’t want to give spoilers. I highly recommend this film and I’ll give it 4.25 Stars

Saturday is Horror Day #162 – The Endless

Reviewer: Julie Lynn Hayes

The Endless

Aaron (Aaron Moorhead) and Justin (Justin Benson) are brothers who  once lived at Camp Arcadia. Aaron remembers the group as a friendly commune while Justin thinks they were a UFO death cult Now, a mysterious video tape arrives in the mail and they decide to return. Not knowing what to expect,  they head to the backwoods of San Diego and  are pleasantly surprised to see that they are remembered and welcome back. 

 

But are things the same? There are some strange activities going on here, including a nightly tug-of-war against a rope that ascends into the night sky. Who or what is holding it? Justin has the disturbing feeling that someone is watching him and photographs seem to drop mysteriously from the sky. How can there be two moons? It’s explained as an atmospheric phenomenon – two moons bring the truth and three moons signify the ascension, which was Justin’s fear to begin with.

 

Even more disturbing is that some people seem to be stuck in time loops, mostly repeated violent 

deaths. Justin is told once the third moon rises he will be trapped there. He has to get his brother and get out… now!

I found this low-budget sci fi/horror film rather interesting and  innovative, with ideas I’ve not seen explored before. There was a definite creepiness factor that left me wondering what was happening. I think if I were there, I’d want to run too. Interesting fact – the actors who play the brothers are also the directors/writers.  I would watch this one again, definitely worth a watch. I’ll give this film 3.75 Stars.

Saturday is Horror Day #161 – Victor Frankenstein

Reviewer: Julie Lynn Hayes

Victor Frankenstein

A young hunchbacked man with no name (Daniel Radcliffe) works for a circus in Victorian England. Although he is abused, and treated like he’s stupid, he secretly studies the subject that interests him – life – in the form of medical books. And he crushes on one of the ladies in the circus, Lorelei (Jessica Brown Findlay). An accident brings him face to face with a medical student in the audience, Victor Frankenstein (James McAvoy), who recognizes the young man’s brilliance and steals him away from the circus. He takes him to his new home, names him Igor, and proceeds to involve him in his experiments, which involve the creation of life itself. Unfortunately for them, a determined policeman, Inspector Turpin (Andrew Scott) is on the case of the missing hunchback and will stop at nothing to find him.

This is the familiar tale of Frankenstein as seen through the eyes of Igor (who, of course, is a completely

original character not from the book). I think it can be considered an origin story as such.  The obsessed Frankenstein manages to find a like-minded patron at the college he somewhat attends, one who is fortunately very wealthy and willing to fund Victor’s research. Having been transformed from being a hunchback, Igor is very grateful for Victor and his friendship. But he begins to wonder about the ethics of what they are doing. Also, who is this Igor he is named after, and where is he?

The film is very creative in sets and design, the writing and directing are good, but, at least for me, it didn’t quite make it. Something fell just a little flat, although I’m not sure I can put my finger on what. Perhaps it didn’t quite make me believe, didn’t ground me in its reality. While Daniel Radcliffe is good as Igor, his transition from supposed circus idiot to brilliant biologist was a little too quick to be really believable. McAvoy’s Frankenstein is a little two-dimensional, and reveals nothing of the person beneath until we get to the story of his brother at the end, and that’s just too little too late. Andrew Scott’s Inspector Turpin (sorry, I keep wanting to say Moriarity lol) is sufficiently obsessed and off his rocker  as well as being a religious fanatic who thinks they are doing the work of Satan, but he doesn’t ring quite true to me.

At what I believe to be the heart of this story is the question of science vs morality – just because we know how to do it, should we? Or are there things that are better left alone, such as the creation of life? Of course, there is no definitive answer as this is the lead-in to the Frankenstein story itself, which explores that theme as well.  Was it worth watching. Yes, but it wasn’t quite the film I had hoped for, despite a great cast. I’ll give this film 3.5 Stars.

Saturday is Horror Day #160 – Poor Things, Dead Shack

Reviewer: Julie Lynn Hayes

Poor Things

Godwin Baxter (Willem Dafoe) is a brilliant and scarred scientist who discovers a woman (Emma Stone) who has just drowned herself. To his horror, he discovers she is pregnant. In an unorthodox move, he removes the brain of the infant and transplants it into the woman, saving her life. He names her Bella, and watches as she must re-develop from an infant, despite having the body of a grown woman. Godwin’s assistant Max (Ramy Youssef) falls in love with Bella and they become engaged. All is well until Duncan Wedderburn (Mark Ruffalo) comes along, and leads Bella down paths she has never imagined, opening the world to her.

Poor Things is a creative re-imagining of the Frankenstein story. In this case, the scientist is the one with

scars, the result of his father’s direct experimentation upon his son. The cinematography is very lovely and well done, the acting superb, especially Mark Ruffalo as the villain Wedderburn. And yet… and yet… I found myself very disturbed because at the end of the day, Bella, despite having a woman’s body, had the mind of a child, so what happened felt… wrong.  I just couldn’t help but feel disturbed that she was having sex.

Be warned, there is a ton of sex in this movie. A TON OF SEX. I understand what the director was going for. The independence of women, the ability to control their own sex lives, to not need men to control them. I don’t have a problem with the prostitution aspect, that doesn’t bother me. It’s just the idea that intellectually and emotionally, Bella is a child. Maturity does not happen that quickly. Plus, although many will disagree, I didn’t see Emma Stone’s performance as the tour de force some have suggested it was. I thought her performance rather awkward at times, and stiff. I would never watch this again, spend another two and a half hours on it. It’s a matter of taste. Poor Things was just not to mine. I’ll give this film 3 Stars.

Dead Shack

Jason (Matthew Nelson-Mahood) is invited to go camping with his friend Colin’s (Gabriel LaBelle) family, including Colin’s sister Summer (Lizzie Boys), their dad Roger (Donavan Stinson) and Roger’s girlfriend Lisa (Valerie Tian). They end up in a cheap cabin in the middle of nowhere. The teens are pretty free to do as they want while the so-called adults get drunk. They wander through the woods and discover what appears to be an abandoned house, with a lot of junk cars on the property. But there is more here than meets the eye as they quickly discover this neighbor (Lauren Holly) is definitely not the neighborly type.

This film combines horror and humor in a tale of cannibals and zombies. It has some funny moments,

including the drunken father who is too focused on drinking, his young girlfriend, and being his kid’s friend to be the leader they need in a crisis. One has to wonder how Lauren Holly ended p here in a suit that’s a cross between dominatrix and welder, but that’s anyone’s guess. Maybe she is friends with the director or something. Not the best, not the worst, but not a complete waste of time either. It’s only 81 minutes, and I’m fine with that. I’ll give this film 3 Stars.

Saturday is Horror Day #159 – Saw X

Reviewer: Julie Lynn Hayes

Saw X

John Kramer’s (Tobin Bell) cancer isn’t getting any better. He attends a support group made up of fellow cancer patients. A few months later, he runs into one of them, Henry (Michael Beach) who tells him a miraculous story – he is in remission. And he owes it all to a doctor he found on the internet, Cecilia Pederson (Synnove Macody Lund) whose father is a world-renowned surgeon. John begins to see hope where none existed before and contacts Cecilia. Shortly after, he is on his way to Mexico City.

If something seems too good to be true, it probably is, and this is no exception, as John discovers to his horror. But these people made a serious mistake when they decided to scam John Kramer.

The latest installment in the Saw franchise takes place some years before, when John is still alive. I was glad to see him actually back in the picture. Once I realized he’d been duped, I knew he would get revenge as only John can. And justice.

The devices are just as complicated and gory as ever. So many people were involved in this plot, but John is fair. If someone passes his test, they go free, as we’ve witnessed in the past. He gets Amanda  (Shawnee Smith) to help him, but I confess to being distracted by her strange haircut. We get to see and hear Detective Hoffman (Costas Mandylor) but only briefly.

This was everything I’d hoped for and more. I was really impressed by the writing and character development. The next Saw is coming out in September and takes place right after this one. I’m looking forward to seeing that. I’ll give this film 4.5 Stars

Saturday is Horror Day #158 – The Other Side of the Door

Reviewer: Julie Lynn Hayes

The Other Side of the Door

Sarah’s (Sarah Wayne Callies) world collapses when her young son Oliver (Logan Creran) dies in an accident. She’s having a difficult time accepting what happened, despite the best efforts of her loving husband Michael (Jeremy Sisto) and her daughter Lucy (Sofia Rosinsky). They live in India, having fallen in love with the country while searching for antiques for their business and relocated there. Sarah’s housekeeper Piki (Suchitra Pillai), knowing how devastated Maria is, tells her that there is a way in which she can communicate with Oliver one last time, in order to get closure. But she warns Maria that there are strict rules that have to be follow. Whatever happens, she tells her, do not open the door.

Despite the warnings, Maria can’t help herself, and she opens the door. Has Oliver really returned? And what will the consequences of her actions be?

This wasn’t a bad film, and I think it could have been better, having a different twist on horror. But it

wasn’t great either. I think one of the problems is that the underutilized Jeremy Sisto (whom I really like) overshadows the main actress. I think this movie might resonate more with parents, who can identify with the grief of losing a child and wanting to see that child so badly you’d disobey the rules to do so. I admit I didn’t see the ending coming either. I’ll give this movie E for effort and 3 Stars

Saturday is Horror Day #157 – The Barrens, May

Reviewer: Julie Lynn Hayes

The Barrens

Richard Vineyard (Stephen Moyer) is trying to bring his family closer together. He has a daughter Sadie (Allie MacDonald) by his late first wife. He’s married to Cynthia (Mia Kirshner) now and they have a six-year-old son Danny (Peter DaCunha). Sadie doesn’t respect Cynthia and finds Danny annoying. He decides to take them on a camping trip to a place called The Barrens, in New Jersey, where his late father used to take him. The trip will also serve to scatter his dad’s ashes in this place where they once bonded. Danny doesn’t want to go because his dog Oscar is missing, but he is persuaded to go.

Along the way, they pass a sign advertising the Jersey Devil. Richard assures Danny that it’s just a story, nothing to worry about. They arrive and check in to the camping area, then head to a site to set up. To their dismay, a number of people are there, not quite the idyll he had anticipated. That night, there is a campfire and ghost stories, and a young man scares Danny, which angers Richard and he overreacts. The same young man makes friends with Sadie, which doesn’t sit well with him either.

The family ends up leaving the the next day for another site. But so far this trip hasn’t helped in any

way, and Richard is acting more and more oddly, favoring his arm. But he won’t let his wife look at it. And he is not only overprotective of his daughter and paranoid about his wife. Things go from bad to worse when they run across an abandoned camp with a couple of dead bodies. Richard becomes convinced it’s the work of the Jersey Devil, and he’s been after him ever since he was a child.

I’ll be honest, I was primarily drawn to watch this because of Stephen Moyer, but I really liked this movie. It kept me guessing the whole time as to what was going on, whether Richard was imagining things because he was ill or was there really a monster known as the Jersey Devil? The acting was good, it felt like watching a family disintegrating in so many ways, but it’s also about the love that ultimately keeps them together. Plenty of suspense and scary moments. This was written and directed by Darren Lynn Bousman, who also brought us Repo the Genetic Opera and a couple of Saw films, including Spiral, which I plan to rewatch soon. This was a good film. I’ll give it 4 Stars.

May

As a child, May (Angela Bettis) had few friends because of her lazy eye. Her mother gives her a strange doll in a glass case, warning her not to remove it from the case, and she becomes May’s only friend. May grows up socially awkward and lonely and becomes a veterinary assistant at an office where she works with Polly (Anna Faris). May is still shy, but Polly is always nice to her, and May is good with the animals. One day she spies a good-looking young mechanic named Adam (Jeremy Sisto). she develops a crush on him, especially his hands, and goes out of her way to insert herself into his life. She is ecstatic to become his girlfriend, but things don’t work out. Then May and Polly get together, and once again, things don’t work out. So May decides to take the best parts of the people who have wronged her and make herself a friend.

May is a quirky and unusual film, not your run of the mill horror story. I found it hard to actually root

for May, because she is not very tightly wrapped, when you get down to it.  You gotta worry about someone who takes advice from a doll, and holds conversations with it. And though Adam was good to look at, he wasn’t necessarily nice inside. Polly really cared about May but she wasn’t serious enough to settle down. It is an interesting film, but sometimes I found my mind wandering, so it didn’t completely catch my attention. It is worth watching, though, even if not exactly my cup of tea. Worth it to see Jeremy Sisto.  I’ll give this film 3.5 Stars.

Saturday is Horror Day #156 – Silent Night (2021), Lake Mungo

Reviewer: Julie Lynn Hayes

Silent Night (2021)

The apocalypse is happening… and everyone knows when. Nothing can be done to stop it. In preparation for the event, the government has provided citizens with Exit Pills, to avoid suffering when it does occur. Nell (Keira Knightley) and Simon (Matthew Goode) have a happy marriage and three sons. They decide they don’t want to face this alone, so they invite their group of long-time friends to join them at a house in the countryside to have one last hurrah and see each other one last time before they accept the end by taking their pills. Everyone seems to be in relatively high spirits, and much drinking ensures. But not surprisingly, loose tongues reveal long-kept secrets, straining even the best of relationships as this group of friends waits for the apocalypse to occur. And one of Nell and Simon’s sons, Art (Roman Griffin Davis) questions what the adults are doing.

I found this a very thought-provoking film, and one that it isn’t impossible to envision. If not this

particular scenario, then something similar. Like Art, I had so many questions about what was going on and how the adults were responding. This is the perfect what-would-I-do movie as you imagine yourself in their shows and think about how you would react to what is going on. Yes, there are some secrets revealed that might have/should have been kept to the grave, but some people just can’t hold their liquor. It’s also about love and shared history and togetherness. It’s well acted, especially Knightley and Goode. I am a huge fan of Goode, which is how I became interested in watching this when I accidentally ran across it while looking up the other series, the Silent Night, Deadly Night series. Similar name, totally different. Also, you might remember seeing the boy who plays Art in JoJo Rabbit, which is a very interesting film.

My only real complaint, and a minor one at that, is something I found their accents difficult to understand, but if anyone is concerned about that, you can always turn on close captioning. I didn’t, and I was fine with it. Like I said, this film gives you a lot to think about, and unlike a lot of horror films, it is a believable scenario. I’ll give this film 4.5 Stars.

Lake Mungo

Alice Palmer (Talia Zucker) is only 16 when she drowns. Her parents, June (Rosie Traynor) and Russell (David Pledger) are grief-stricken, wanting to know why this happened, as is her brother Matthew (Martin Sharpe). But after her death, strange things start to happen, and the figure of the late girl begins appearing in new photographs.

The search for understanding what happened leads to the discovery of things about Alice her family didn’t realize, that she led a secret double life.

To be honest, this film didn’t do it for me, although I’ve seen a number of good reviews for it. They talk about grief and how to deal with it, but that wasn’t the kind of ghost story I was expecting, so maybe that’s why I wasn’t impressed. I kind of lost interest early on but kept going anyway. If this sort of thing interests, give it a try, just wasn’t for me. I’ll give this film 2 Stars.