Reviewer: Julie Lynn Hayes

Saturday is Horror Day

Raised in an orphanage for handicapped children, Laura (Belen Rueda) and her husband Carlos (Fernando Cayo) purchase the now vacant building and move into it with their adopted son Simon (Roger Princep). Simon is not only unaware that he is adopted, but that he is HIV positive as well. Concerned that Simon’s only companions are the invisible friends he insists he plays with, Laura and Carlos arrange a get together for other parents of special needs children and their children. Simon tells her of his special friend Tomas, insisting he is real, and wears a cloth sack over his head. At the gathering, Laura sees such a child but he disappears. And suddenly Simon has disappeared, and Laura is beside herself, anxious to get her son back. Who are these invisible children, and could they hold the key to Simon’s disappearance?

In an effort to find Simon, Laura calls in a team of parapsychologists, led by Aurora (Geraldine Chaplin).

The Orphanage is a Guillermo del Toro film, and as such is beautifully crafted, less of a horror story than a ghost story. Laura must deal with the ghosts of her past even as she searches for her missing son. She refuses to give up, even when her husband insists they need to go. She is sure she can find him, given enough time. It’s a testament to the strength of a mother’s love, and the lengths to which one mother will go to get her child back.

The movie is well-written and acted. While not terrifying, it is haunting and tragic and worth watching.

I give this Film 3.5 Stars

Behind the Mask: The Rise of Leslie Vernon

A documentary crew led by Taylor Gentry (Angela Goethals) receives the opportunity of a lifetime when a man who claims to be the next great slasher/serial killer offers to let them film his story, from beginning to end. The man’s name is Leslie Vernon (Nathan Baesel), and he has a reign of terror planned for the sleepy little town of Glen Echo. He considers himself to be a worthy successor to such greats as Michael Meyer and Jason Voorhees. He takes the filmmakers on a practice run of what he intends to do before revealing his actual target – a waitress at a local diner, Jamie (Bridgett Newton). He’s been stalking her for some time, and he reveals how everything is going to go down, including how and where everyone will die. Except for Jamie. She will be his Survivor Girl. The one who will take him down. Why? Because she’s a virgin.

Leslie lays down certain rules that Taylor and the crew must obey, and one of them is that they must not talk to Jamie. They are observers, nothing more. They follow him as he silently terrorizes the poor waitress, leading up the grand finale at the party.

This film is both a mockumentary and an homage to horror films, including references to such films as Halloween and Nightmare on Elm Street. There’s even a detective played by Robert Englund, and Zelda Rubinstein, whom you might remember from Poltergeist, is there too. Leslie is very matter-of-fact in the way he tells Taylor et al what he intends to do and how he intends to do it. Even they come to realize there comes a point where they cannot remain passive witnesses to such horrific events and have to step in.

It’s not a bad film, and I do appreciate the intention behind it. However, and maybe this was just me, but I felt my attention wander from time to time, and I felt it was fairly predictable. Including the ending at the end of the credits. Not bad, just not memorable in my book. I’ll give it 2.5 Stars.