Tag Archives: Reviews

Saturday is Horror Day #229 – Scream

Leave a reply

Reviewer: Julie Lynn Hayes

 Scream


Sidney Prescott (Neve Campbell) is struggling, has been ever since her mother was brutally murdered almost a year before. Her boyfriend Billy (Skeet UIlrich) seems unsympathetic to what she is going through, and wants to take their relationship to the next level. When Sidney resists, she wonders if they will even stay together. She has a group of friends she hangs out with, especially her friend Tatum (Rose McGowan) who is dating Stuart (Matthew Lillard), Then there is Randy (Jamie Kennedy), who has a crush on Sidney, works in a video store, and is the resident expert on horror movies.

When her friend Casey (Drew Barrymore) and her boyfriend Steve (Kevin Patrick Walls) are killed, fear 


fills the town, and local news reporter Gale Weathers (Courtney Cox) is quick to connect the murder with that of Sidney’s mother. Sidney already hates Gale for the book she wrote about her late mother, which is about to come out, and resents her intrusions into her life. When a Scream mask is found at the stie of Casey’s murder, it becomes the face of what is going on. But as the body count grows, Sidney isn’t sure who she can trust… and she thinks she might be the killer’s next target.


Hard to believe this film is almost 30 years old. It’s just as good now as it was then, and wears well.  This is a Wes Craven film, who also brought us Nightmare on Elm Street. A lot of familiar faces here, including David Arquette, who later married Courtney Cox (I believe this is how they met). There is a brief glimpse of the convicted killer of Sidney’s mother, Cotton Weary (Liev Schreiber), who is the subject of Gale’s book  – she claims he is innocent. I had totally forgotten most of the film, so I was able to be surprised again, as if I was seeing it for the first time. The story is solid, the acting good, the writing good. Also, look for Henry Winkler in an uncredited role as the school principal. This film delivers on all cylinders, and is definitely worth revisiting. I’ll give this film 4.5 Stars.

 

Saturday is Horror Day #227 – Locked

Leave a reply

Reviewer: Julie Lynn Hayes

Locked

Eddie Barrish (Bill Skarsgärd) means well. He generally has good intentions. But somehow things always seem to get in the way. Such as when it’s his turn to pick up his daughter Sarah (Ashley Cartwright) from school but his car is in the shop and he doesn’t have the money to pay for it to be fixed and the shop owner refuses to take his word for it that he will pay him or extend him credit.

Eddie is at the end of his rope and desperate. His ex has warned him what will happen if he doesn’t fulfill

his duties as Sarah’s father. His promises are empty and she is fed u with them. He does everything he knows how to do to get the almost $500 he needs… and then he spots the luxury SUV sitting alone in a parking lot.  Looking vulnerable. And it’s unlocked. What else is a guy to do but take it?

But life is not quite so easy….

Eddie finds himself, to his dismay, locked inside the car. Panicked – and on a time schedule – he tries to get out, but to no avail. Then the screen begins to light up with a call, one that is marked Answer Me. He ignores it the first few times, but finally he’s forced to answer it. To his dismay, he discovers himself speaking with the car’s owner,  William (Anthony Hopkins), who tells me he is tired of having his car stolen and the police doing nothing about it. So he’s taken matters into his own hands. And now, if Eddie wants out, he’s going to have to play William’s game.

I have to confess that when I saw that this film had both Bill Skarsgärd and Anthony Hopkins, I knew I wanted to see it, no matter what it was about. And I’m glad I did. It’s a psychological thriller about two men at the end of their ropes. Eddie is just the unlucky one who falls in the fed-up William’s trap. Seriously, who would leave such an expensive vehicle unlocked, alone in a parking lot? But Eddie is desperate, so he isn’t using what common sense he might possess. Eddie goes through an ordeal in his attempts to simply exit the car, and William is relentless in his methods – including taxing Eddie, and withholding food and drink, torturing him with music, etc. I was never sure how things would work out, and I found myself very invested in finding out. Both men do an excellent job of portraying their characters. Despite one reviewer who blared something about Pennywise vs Hannibal Lecter, that is far from the case. Eddie is no Pennywise and William no Lecter. I found the movie very enjoyable, I’ll give this film 4 Stars.

Saturday is Horror Day #225 – Sssssss

Leave a reply

Reviewer: Julie Lynn Hayes

Sssssss


Famed herpetologist Dr. Carl Stoner (Strother Martin) approaches a former student now professor, Dr. Ken Daniels (Richard Shull) to find an assistant, as his last one left suddenly one day and he needs help in his experiments. Daniels recommends David Blake (Dirk Benedict), and when approached, David agrees to take the job (it also gets him out of being bullied by a larger student). When David meets Stoner’s daughter Kristina (Heather Menzies), there is a mutual attraction and they begin a romance. Stoner is not too keen on this however and reprimands his daughter when he realizes she is sleeping with David.

From the outset of their working relationship, Stoner begins to give David a series of injections, in order 


to protect him from snake bites occurred during the course of their work. But David is starting to notice strange side effects – such as inexplicably peeling skin! Stoner assures him that is normal, and a one-time thing, as he helps to peel David’s shedding back.


David and Kristina go on a date to a local carnival and discover that one of the attractions is a snake man. Naturally, they are curious, being both interested in snakes, so they check out the exhibit. The man appears to be a snake man indeed. But there is something about him that seems off. He seems distressed, as if he is trying to tell them something. By the time Kristina figures out what is familiar about him, she realizes what is happening to David and rushes home to save him and confront her father.

This is a bit of an odd film. I’ve been aware of it for years but never attempted to watch it until a coworker suggested it. Strother Martin shines as the mad herpetologist. You might remember him from Cool Hand Luke, and his famous line – “What we got here is a failure to communicate”! Heather Menzies, who plays the daughter, was a popular young actress in the 70s, and was married to actor Robert Urich who is probably best kniwb fir Vega$, Dirk Benedict, who plays David, was in the 70s sci fi show Battlestar Galactica.

 

The plot is, even for the 70s, ridiculous. I found the scenes with the snakes unrealistic. And as for the idea of turning a human being into a snake – first of all, why? Stoner’s motivation is never clear, at least not in my book. That being said, Menzies as the loyal daughter does a good job, and Dirk Benedict, clearly not the bright bulb in the box, is clueless as to what is happening to him. The scenes with Strother Martin and real snakes are clearly not him, and the special effects leave something to be desired. Even so, it’s worth watching to see Martin. So I’ll give this film 3 Stars.

 

Saturday is Horror Day #222 – We Have Always Lived in the Castle

Leave a reply

Reviewer: Julie Lynn Hayes

We Have Always Lived in the Castle

Sisters Merricat (Taissa Farmiga) and Constance (Alexandra Daddario) Blackwood, along with their disabled Uncle Julian (Crispin Glover) live in isolation at the family home, Blackwood House. Six years have passed since a family tragedy occurred, one involving arsenic. But the villagers at nearby Shirleyville have long memories. When Merricat reluctantly makes her weekly excursion to get supplies, they torment her terribly. As for Constance, she finds herself of leaving the grounds at all.

Merritcat safeguards the house and its inhabitants as well as she can through her witchy spells and the

objects that she buries. But when she is forced to go into the village unexpectedly one day, she doesn’t have the chance to set any spells, and the worst happens in the form of their cousin Charles (Sebastian Stan) who shows up without warning and proceeds to turn their lives upside down. Merricat hates him, but Constance, who is too trusting and innocent for her own good, falls under his spell. Neither realize that he is there to get the money that is kept in the huge safe in the house. When he takes over the household and becomes very strict with Merricat, she realizes something must be done.

We Have Always Lived in the Castle is based on the novel by Shirley Jackson, who also gave us The Lottery and The Haunting of Hill House. This story is similar to the others in that it focus on the psychological rather than physical horror. Referring to Blackwood House as a castle draws an image of splendid isolation, of withdrawl from reality as reflected in the main characters’ withdrawal from even the society of the nearby village. Merricat’s weekly treks into Shirleyville are torturous for her, but she bears them for her sister’s sake, who is even more crippled than she is. It’s not until the arrival of their cousin Charles that the torture continues for Merricat at home as well. Desperate times call for desperate measures.

Taissa Farmiga does a splendid job as Merricat. You may know her older sister Vera, from such films as The Conjuring and The Boy in the Striped Pyjama. I almost didn’t recotnize Crispin Glover as the uncle. Paula Malcolmson also appears – you might remember her from Deadwood and Ray Donovan. And of course my favorite – Sebastian Stan – who was the Hatter in Once Upon a Time, and is probably best known for playing Bucky Barnes in the Marvel film series. That being said, despite the stellar cast, this is definitely a slow burn, and I might have to watch it again to appreciate it better. It’s not your typical horror film – no jump scares, no dismembered corpses, nothing of the kind. Pure psychological horror. Reviews seem to be mixed. It was well done, it just didn’t always keep my attention. However, it is a short film, and I don’t consider it a waste of time. Decide for yourself. I’ll give this film 3.5 Stars.

Saturday is Horror Day #221 – Venom (1981)

Leave a reply

Reviewer: Julie Lynn Hayes

Venom (1981)

Philip Hopkins (Lance Holcomb) is the ten-year-old son of a well-to-do family. His asthma keeps him mostly indoors among the pets he loves and collects. When his mother Ruth (Cornelia Sharpe), goes to join his father in Rome, Philips is left in the care of his grandfather Howard Anderson (Sterling Hayden), a world famous hunter, and the family maid Louise (Susan George) and the chauffeur Dave (Oliver Reed). Philip and his grandfather concoct a little scheme to enable Philip to sneak out of the house long enough to pick up his newest purchase from the dealer – a gray snake. Unknown to them, Dave and Louise have their own plan that is going to go down while the mother is away, one that involves a third man, Jacmel (Klaus Kinski) – they plan to kidnap the boy and hold him for ransom.

Meanwhile, at the Institute of Toxicology, Dr. Marion Stowe (Sarah Miles) discovers that a snake that was

recently purchased by them is not the one they ordered, it’s a common domestic snake. To her horror, she realizes that the purchaser of this domestic snake actually has the black mamba they expected to get – the most dangerous animal in the world. A policeman is sent to the boy’s house to inquire about it, but the nervous kidnappers assume they have been discovered, chaos ensues, and now they are all trapped in the house with a black mamba that is loose and the police are just outside the door – between a rock and a hard place!

To be honest, I didn’t know what to expect with this 1981 film (not to be confused with the Tom Hardy film of the same name). I was very pleasantly surprised. This is definitely no cheap horror film, and the snake is not CGI or cartoonish – and something to be legitimately scared of. There are some well-known actors in this film – Oliver Reed, Sterling Hayden, Susan George, Klaus Kinski, Sarah Miles, and Nicol Williamson as the police commander who is determined to rescue the boy and his grandfather. The acting is wonderful, as is the writing and direction. I had no idea what was going to happen, it is far from predictable. I loved Nicol Williamson’s performance as Commander Bulloch – he commands any scene he is in. You may remember him from the film Excalibur where he played Merlin. Oliver Reed as the chauffeur is prone to act first and think after, which doesn’t work well. You may remember him from such films as Gladiator and Tommy.

Klaus Kinski as the cold rather psychotic German is perfect. You may recall I recently reviewed Nosferatu, where he starred as the titular character. I much preferred Venom and his performance there.  All in all, a very entertaining film, well worth watching. I’ll give this film 4.5 Stars.

Saturday is Horror Day #220 – The Whip and the Body

Leave a reply

Reviewer: Julie Lynn Hayes

The Whip and the Body

Nobleman Kurt Menliff (Christopher Lee) returns to his family castle to congratulate his brother Christian (Tony Kendall) on his marriage to Kurt’s former lover Nevenka (Daliah Lavi). His return is not exactly greeted with open arms by his father the Count (Gustavo De Nardo), Nevenka, the servant Giorgia (Harriet Medin) who blames him for the death of her daughter  or even his cousin Katie (Ida Galli). Tension reigns in the household.

Kurt proves to be a rather sadistic fellow who seems to enjoy torturing the people around him. At one

point, Nevenka over hears her husband and his cousin discussing their love for one another. Horrified, she escapes the castle for some private time by the sea, riding her horse. As she sits on the shore, contemplating her life choices, Kurt finds her, he takes her whip from her and strikes her with it – as though they have played this particular game before. She reacts favorably to his actions and they make love on the beach.

Later, when Nevenka is miss, and everyone is searching for her, Kurt is stabbed and killed by the same knife that killed Giorgia’s daughter. Tension grows as the household suspects one another of being Kurt’s killer, while Nevenka is haunted by the ghost of Kurt. When the Count is also found dead, also by the dagger, there can be no doubt of a killer in their midst. But is Kurt actually dead is the question.

I ran across this Italian film on Shudder. I’d never heard of it, but knowing Christopher Lee was in it was good enough for me. It was in Italian, with English subtitles. I could never tell if That was Christopher Lee’s voice or not since he didn’t have the usual depth of voice one associates with the actor. On the other hand, he was of Italian heritage, so it’s not impossible.

This is a bit of a departure for Lee, being a Gothic type horror film without a vampire in sight. Seeing him kiss a woman without biting her neck is also different. But all kidding aside, this is like a soap opera horror story set in an isolated Italian castle by the sea. The plot was sometimes difficult to fathom but once I sorted it out in my head, it wasn’t too hard to follow. It does have atmosphere, and appropriately angsty music, but it was made in 1963, so the pacing feels a little dated.

I wish the filmmaker had given us better insight as to the nature of the relationship between Kurt and the others, or why he was gone to begin with. So much bad blood, and probably not all justified. It was interesting to watch Lee, in particular, but I don’t think I would watch this again. That being said, I’ll give this film 2.5 Stars.

Saturday is Horror Day #217 – The Changeling (1980)

Leave a reply

Reviewer: Julie Lynn Hayes

The Changeling (1980)

Composter John Russell (George C. Scott) loses his wife and daughter in a horrible accident that leaves him devastated. Several months later, his concerned friends urge him to get away so he rents an old mansion near Seattle, owned by a Mrs. Norman (Madeleine Sherwood). Her daughter Claire (Trish Van Devere) helped him to get the mansion, and she is very helpful in aiding him to settle into the huge mansion. The house seems like a great place for him to resume his composing. But he quickly discovers that he is not alone in the house. As he grows closer to Claire, together they seek to find the answers to the secrets of the house – and the powerful man who is guarding them.

I remember when this movie came out, but I never made an effort to watch it until yesterday, not sure why, but I should have. The film was directed by Peter Medak, who also directed movies such as The Ruling Class and Romeo is Bleeding, as well as episodes of Hannibal and House. The Changeling was beautifully directed and filmed. George C. Scott was already a well-known and very talented actor, but I hadn’t seen one of his films in years, so it was almost like watching him for the first time. Trish Van Devere, who plays Claire, was Scott’s fifth wife. They were married in 1972 and remained married until his death in 1999.

Among the rest of the cast, veteran actor Melvyn Douglas plays a senator whose family once owned the mansion, Jean Marsh plays the ill-fated wife, Barry Morse is a parapsychologist, and John Colicos a detective. If you’re old enough you might remember Madeleine Sherwood from the TV series The Flying Nun – she played the head of the convent where Sally Field was a nun.

A haunting musical score lends atmosphere to this lovely film. The heartbreak of the present helps to solve the sins of the past. This is a great example of a haunted house film, one that I highly recommend. I’ll give this film 4.5 Stars.

Saturday is Horror Day #212 – Amber Alert, Dracula Untold

Leave a reply

Reviewer: Julie Lynn Hayes

 

Amber Alert


Jaq (Hayden Panettiere) has an appointment she has to keep, but when the rideshare she arranged for is stolen out from under her, she is temporarily flummoxed. Just then another driver appears, dropping off his fare. She tries to engage him, but the driver Shane (Tyler James Williams) has places to go and things to do and he is off the clock. But Jaq persists until he reluctantly agrees to take her where she is going.

 

 

As they are driving, they each receive a notice on their cell phones of an Amber Alert, along with a 


description and picture of the car in question, but no plate. Jaq looks up to see a car like the one in the alert, just ahead of them. She asks Shane if he thinks that could be the one but he tells her that there are too many of that type of car in the whole city, it’s not likely. As they approach a light, a large message lights up with the amber alert information, and the driver she had observed, suddenly pulls through the intersection, not waiting for the light. Jaq senses that this might be the guy the police are looking for and urges Shane to follow him. He does, albeit reluctantly, and they follow him to a gas station, where Shane points out that he just needed gas. The odd thing is that he leaves without ever getting gas… and the chase is on.

 

If you are a parent, this movie will hit close to home. One minute your child is there and the next they are gone. A stark reminder that there are predators in this world. Also, it’s a reminder to trust your gut instincts, because that might be all you have to go on. Two strangers follow a man they think has kidnapped a child, not knowing if they are on a fool’s errand or not. Sometimes it seems as though they might be being foolish. They have also blown off prior engagements to fight for a stranger’s child… and yet they persist. I think this was a great testament to the fact that there are good people out there who are willing to fight for others, for the weak and helpless, for the children.

I did enjoy this film, and I’ll admit Jaq made me cry at one point. I wasn’t sure how the ending would play out, but I hoped for a happy and satisfying conclusion. Definitely worth watching. You may remember Hayden Panettiere from Heroes, where she played the cheerleader who was destined to save the world.  I’ll give this film 4 Stars.

Dracula Untold


The kingdom of Transylvania is threatened by the Turks, and have been off and on for many years. The prince, Vlad (Luke Evans) was once a political prisoner of the Turks, where as a young boy he learned many things, including how to fight. Now he is a grown man who has a wife, Mirena (Sarah Gadon) and children he needs to protect against the Turks, led by their sultan, Mehmed (Dominic Cooper). While out with his men, Vlad discovers a place where Turkish troops were mysteriously slaughtered – and not by any of his troops. He discovers a cave that holds the secret of their demise, and barely escapes alive, keeping the knowledge of that cave to himself.

Not wishing to endanger his kingdom, Vlad negotiates a peace with the Turks, only to have his trust 


turned against him when the Turks demand he surrender 1000 young boys to them for their army – just the way his father had sacrificed himself and the other boys. Moreover, Mehmed demands Vlad’s son, intending to raise him as his father had raised Vlad. That’s the last straw. Vlad returns to the cave and the master vampire (Charles Dance) who resides there, determined to do whatever he needs to do to save his kingdom and his family.

Dracula Untold is actually an origin story, something to explain how Count Dracula of film and novel becomes the way it is. It’s actually a romanticization that combines some actual history of Vlad Dracula, aka Vlad Tepes (the Impaler) with Bram Stoker’s vampire. The film explains away his cruelties as a necessity to combat the Turks. To some degree, this is true. Vlad Dracula was held as a political captive while a boy, and was subjected to much cruel treatment, probably some sexual in nature, and he learned a lot about their methods of torture. Lessons he put to good user later in life. The film doesn’t mention his younger brother, Radu the Handsome, who was also a captive, but was treated much nicer than Vlad. In fact, in later years, he had a relationship with the Turkish sultan. It’s fair to say this did not endear him to his brother.

 

I thought Luke Evans did a great job as Dracula, playing him as a good husband and father and ruler.  I don’t believe the original Vlad was necessarily a good husband, but he did care for his people. He also had a cruel streak, no doubt a result of his treatment by the Turks during his formative years. That being said, I liked that they tackled the origin story of the vampire and presented it in a realistic fashion. It was interesting to watch, and the ending hinted of a sequel. However, I am pretty sure that is off the table. But I still recommend this film, especially if you are a fan of Vlad and/or Dracula as I am. I am giving this film 4 Stars.

Saturday is Horror Day #209 – The Four Skulls of Jonathan Drake

Leave a reply

Reviewer: Julie Lynn Hayes

The Four Skulls of Jonathan Drake


Anthropologist Jonathan Drake (Eduard Franz) has a recurring nightmare about shrunken heads. He believes that the men in his family are cursed because of a longstanding feud with a tribe of South American Indians. Concerned about his only brother, Kenneth (Paul Cavanagh), he decides to visit him. But he arrives to find a funeral for his brother in progress! When he demands the coffin be opened, he is horrified to discover his brother’s head is missing!

Drake’s only child, Alison (Valerie French) is concerned about her father, as his Dr. Emil Zurich (Henry 


Daniell), a fellow anthropologist. The police are baffled, when they do bother to take the situation seriously. The investigation is being led by Police Lieutenant Jeff Rowan (Grant Richards). It quickly becomes clear that his interest in the case is primarily due to the presence of Alison. One night, her father is attacked and seems to be dead. But closer inspection shows this is no natural happening, but a poisoning! It’s a race against time to learn what has happened to Drake. When it is discovered to be curare, the investigation is turned in a completely different direction. Now Drake’s life is even more on the line than before, although they are no closer to discovering the person behind this series of events. A possible hypothesis was disregarded as preposterous but they might have to consider it now!

 

Before I discuss the film itself, there are factors to take into consideration. First, it was made in 1959, 


and it looks it. Black and white (not a problem for me, sometimes adds to the ambience of a horror film). The acting is indicative of the time. Not that it’s bad, but stiffer than we might be used to now. Also, the writing. Naturally, it is not gory, and any violence, including heads being sliced off, are off screen. That being said, that could have been a little more smoothly.  There is a character named Zutai, who belongs to the same South American tribe and resembles a living shrunken head, with rather gruesome makeup. Charles Gemora did not only the makeup for the film, but also designed and sculpted the shrunken heads.

It was probably pretty scary back in the day. I didn’t find it frightening, but I thought it was interesting to watch. Two of the actors were well known and very well respected, Eduard Franz and Henry Daniell). I have seen both in other things, especially Daniell. I think he does horror well. That being said, no, not a great film, but something a little different in the horror genre. How often do you see shrunken heads as the subject of a film? Beetlejuice doesn’t count, although that was a great shrunken head! I’ll give this film 2.75 Stars.

Saturday is Horror Day #208 – Berberian Sound Studio

Leave a reply

Reviewer: Julie Lynn Hayes

Berberian Sound Studio


Gilderoy (Toby Jones) is a British sound engineer hired to work on an Italian film he believes to be about horses, The Equestrian Vortex. But that illusion is quickly dispelled when he finds himself actually working on a horror film involving witches, priests, and torture. Not that either the producer, Francesco (Cosimo Fusco) or the director Santini (Antonio Mancino) will admit to that. In fact, Santini pompously proclaims it is not a horror film, it is a Santini film!

Things begin to go wrong from the outset. Gilderoy tries to be reimbursed for certain expenses he incurred on his way there, but is given the runaround. The room he was promised turns out to be a cubby hole within the studio. Uncomfortable with the film to begin with, Gilderoy’s only connection to reality are the letters from home he receives from his mother. But before long, the line between reality and film begin to become hopelessly blurred.

 

This film is probably not for everyone, but I found it very interesting, especially with the peek behind the scenes into the sound end of movie making. We never see the film that is being made, but we get a pretty good picture from what we hear. The various actors come to the studio to record their lines, and some to record unusual sounds that the characters make, such as a demon. I was fascinated to see what sorts of things were used to produce the sounds that correspond to what we see on the screen.  For example, someone being drowned was made by swishing clothing around in a tub of water. Gilderoy stabbs heads of cabbage to imitate a stabbing in the film. 

 

I’ll admit that while the concept is unique, the delivery is somewhat flawed and at times confusing. Gilderoy undergoes a transformation from the timid little man he was at the beginning of the film, but it isn’t really clear why he changes as he does, or why this horror film that everyone says isn’t a horror film affects him so. The ending itself it ambiguous and I had to look up an explanation. Still, I found it a very interesting film and I think it won’t disappoint. I’ll give this film 3.75 Stars.