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Saturday is Horror Day #212 – Amber Alert, Dracula Untold

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Reviewer: Julie Lynn Hayes

 

Amber Alert


Jaq (Hayden Panettiere) has an appointment she has to keep, but when the rideshare she arranged for is stolen out from under her, she is temporarily flummoxed. Just then another driver appears, dropping off his fare. She tries to engage him, but the driver Shane (Tyler James Williams) has places to go and things to do and he is off the clock. But Jaq persists until he reluctantly agrees to take her where she is going.

 

 

As they are driving, they each receive a notice on their cell phones of an Amber Alert, along with a 


description and picture of the car in question, but no plate. Jaq looks up to see a car like the one in the alert, just ahead of them. She asks Shane if he thinks that could be the one but he tells her that there are too many of that type of car in the whole city, it’s not likely. As they approach a light, a large message lights up with the amber alert information, and the driver she had observed, suddenly pulls through the intersection, not waiting for the light. Jaq senses that this might be the guy the police are looking for and urges Shane to follow him. He does, albeit reluctantly, and they follow him to a gas station, where Shane points out that he just needed gas. The odd thing is that he leaves without ever getting gas… and the chase is on.

 

If you are a parent, this movie will hit close to home. One minute your child is there and the next they are gone. A stark reminder that there are predators in this world. Also, it’s a reminder to trust your gut instincts, because that might be all you have to go on. Two strangers follow a man they think has kidnapped a child, not knowing if they are on a fool’s errand or not. Sometimes it seems as though they might be being foolish. They have also blown off prior engagements to fight for a stranger’s child… and yet they persist. I think this was a great testament to the fact that there are good people out there who are willing to fight for others, for the weak and helpless, for the children.

I did enjoy this film, and I’ll admit Jaq made me cry at one point. I wasn’t sure how the ending would play out, but I hoped for a happy and satisfying conclusion. Definitely worth watching. You may remember Hayden Panettiere from Heroes, where she played the cheerleader who was destined to save the world.  I’ll give this film 4 Stars.

Dracula Untold


The kingdom of Transylvania is threatened by the Turks, and have been off and on for many years. The prince, Vlad (Luke Evans) was once a political prisoner of the Turks, where as a young boy he learned many things, including how to fight. Now he is a grown man who has a wife, Mirena (Sarah Gadon) and children he needs to protect against the Turks, led by their sultan, Mehmed (Dominic Cooper). While out with his men, Vlad discovers a place where Turkish troops were mysteriously slaughtered – and not by any of his troops. He discovers a cave that holds the secret of their demise, and barely escapes alive, keeping the knowledge of that cave to himself.

Not wishing to endanger his kingdom, Vlad negotiates a peace with the Turks, only to have his trust 


turned against him when the Turks demand he surrender 1000 young boys to them for their army – just the way his father had sacrificed himself and the other boys. Moreover, Mehmed demands Vlad’s son, intending to raise him as his father had raised Vlad. That’s the last straw. Vlad returns to the cave and the master vampire (Charles Dance) who resides there, determined to do whatever he needs to do to save his kingdom and his family.

Dracula Untold is actually an origin story, something to explain how Count Dracula of film and novel becomes the way it is. It’s actually a romanticization that combines some actual history of Vlad Dracula, aka Vlad Tepes (the Impaler) with Bram Stoker’s vampire. The film explains away his cruelties as a necessity to combat the Turks. To some degree, this is true. Vlad Dracula was held as a political captive while a boy, and was subjected to much cruel treatment, probably some sexual in nature, and he learned a lot about their methods of torture. Lessons he put to good user later in life. The film doesn’t mention his younger brother, Radu the Handsome, who was also a captive, but was treated much nicer than Vlad. In fact, in later years, he had a relationship with the Turkish sultan. It’s fair to say this did not endear him to his brother.

 

I thought Luke Evans did a great job as Dracula, playing him as a good husband and father and ruler.  I don’t believe the original Vlad was necessarily a good husband, but he did care for his people. He also had a cruel streak, no doubt a result of his treatment by the Turks during his formative years. That being said, I liked that they tackled the origin story of the vampire and presented it in a realistic fashion. It was interesting to watch, and the ending hinted of a sequel. However, I am pretty sure that is off the table. But I still recommend this film, especially if you are a fan of Vlad and/or Dracula as I am. I am giving this film 4 Stars.

Saturday is Horror Day #210 – Glorious

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Reviewer: Julie Lynn Hayes

Glorious

After a painful break-up, Wes (Ryan Kwanten) hits the road as well as the bottle. Finding a remote rest area, Wes tries to get the only candy bar from an antiquated vending machine but is thwarted. A strange woman observes him and helps him retrieve the errant candy, offering him some strange advice – to clear out his back seat so he can sleep horizontally. The intoxicated Wes heeds her advice and gathers all the stuff by a fire pit, where he burns it. Satisfied, he heads into the rest area and promptly gets sick in one of two stalls.

Thinking he is alone, as there were no other cars in the lot, Wes is startled to hear a voice (J.K. Simmons)

coming from the other stall. Wes isn’t exactly in the mood for conversation, but the voice is persistent and even sympathetic.  All Wes wants to do is get his girl back, not trade life stories with a strange in a men’s room. Thinking there is something off about this strange man in the stall, Wes tries to leave but finds himself locked in.  The voice introduces himself as Ghat, and he has something important to tell Wes. He says Wes being there is no accident, and they have important business that needs to be taken care of together. In fact, the fate of the world hangs in the balance.

This film is most definitely unusual and very Lovecraftian in nature and does take place entirely inside a bathroom. And yet it manages to keep you guessing about what is really going on, who or what is Ghat, and how is Wes going to get out of this place intact? Is that even possible? And what’s going on with that glory hole? You might remember Ryan Kwanten from True Blood – he played Sookie’s crazy brother Jason Stackhouse. And everyone knows and loves J.K. Simmons.  Even though we never see him, just hearing his recognizable voice is enough to picture him.  Wes has to deal with his own demons, both literally and figuratively, and the outcome is never certain until the very end. It’s a short film but I think it’s definitely worth watching. I’ll rate this film between 3.5 and 4 Stars, mostly because of J.K.Simmons.

Saturday is Horror Day #209 – The Four Skulls of Jonathan Drake

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Reviewer: Julie Lynn Hayes

The Four Skulls of Jonathan Drake


Anthropologist Jonathan Drake (Eduard Franz) has a recurring nightmare about shrunken heads. He believes that the men in his family are cursed because of a longstanding feud with a tribe of South American Indians. Concerned about his only brother, Kenneth (Paul Cavanagh), he decides to visit him. But he arrives to find a funeral for his brother in progress! When he demands the coffin be opened, he is horrified to discover his brother’s head is missing!

Drake’s only child, Alison (Valerie French) is concerned about her father, as his Dr. Emil Zurich (Henry 


Daniell), a fellow anthropologist. The police are baffled, when they do bother to take the situation seriously. The investigation is being led by Police Lieutenant Jeff Rowan (Grant Richards). It quickly becomes clear that his interest in the case is primarily due to the presence of Alison. One night, her father is attacked and seems to be dead. But closer inspection shows this is no natural happening, but a poisoning! It’s a race against time to learn what has happened to Drake. When it is discovered to be curare, the investigation is turned in a completely different direction. Now Drake’s life is even more on the line than before, although they are no closer to discovering the person behind this series of events. A possible hypothesis was disregarded as preposterous but they might have to consider it now!

 

Before I discuss the film itself, there are factors to take into consideration. First, it was made in 1959, 


and it looks it. Black and white (not a problem for me, sometimes adds to the ambience of a horror film). The acting is indicative of the time. Not that it’s bad, but stiffer than we might be used to now. Also, the writing. Naturally, it is not gory, and any violence, including heads being sliced off, are off screen. That being said, that could have been a little more smoothly.  There is a character named Zutai, who belongs to the same South American tribe and resembles a living shrunken head, with rather gruesome makeup. Charles Gemora did not only the makeup for the film, but also designed and sculpted the shrunken heads.

It was probably pretty scary back in the day. I didn’t find it frightening, but I thought it was interesting to watch. Two of the actors were well known and very well respected, Eduard Franz and Henry Daniell). I have seen both in other things, especially Daniell. I think he does horror well. That being said, no, not a great film, but something a little different in the horror genre. How often do you see shrunken heads as the subject of a film? Beetlejuice doesn’t count, although that was a great shrunken head! I’ll give this film 2.75 Stars.

Saturday is Horror Day #208 – Berberian Sound Studio

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Reviewer: Julie Lynn Hayes

Berberian Sound Studio


Gilderoy (Toby Jones) is a British sound engineer hired to work on an Italian film he believes to be about horses, The Equestrian Vortex. But that illusion is quickly dispelled when he finds himself actually working on a horror film involving witches, priests, and torture. Not that either the producer, Francesco (Cosimo Fusco) or the director Santini (Antonio Mancino) will admit to that. In fact, Santini pompously proclaims it is not a horror film, it is a Santini film!

Things begin to go wrong from the outset. Gilderoy tries to be reimbursed for certain expenses he incurred on his way there, but is given the runaround. The room he was promised turns out to be a cubby hole within the studio. Uncomfortable with the film to begin with, Gilderoy’s only connection to reality are the letters from home he receives from his mother. But before long, the line between reality and film begin to become hopelessly blurred.

 

This film is probably not for everyone, but I found it very interesting, especially with the peek behind the scenes into the sound end of movie making. We never see the film that is being made, but we get a pretty good picture from what we hear. The various actors come to the studio to record their lines, and some to record unusual sounds that the characters make, such as a demon. I was fascinated to see what sorts of things were used to produce the sounds that correspond to what we see on the screen.  For example, someone being drowned was made by swishing clothing around in a tub of water. Gilderoy stabbs heads of cabbage to imitate a stabbing in the film. 

 

I’ll admit that while the concept is unique, the delivery is somewhat flawed and at times confusing. Gilderoy undergoes a transformation from the timid little man he was at the beginning of the film, but it isn’t really clear why he changes as he does, or why this horror film that everyone says isn’t a horror film affects him so. The ending itself it ambiguous and I had to look up an explanation. Still, I found it a very interesting film and I think it won’t disappoint. I’ll give this film 3.75 Stars.

Saturday is Horror Day #199 – Sting

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Reviewer: Julie Lynn Hayes

Sting


Twelve-year-old Charlotte (Alyla Browne) feels as if the weight of the world is upon her shoulders. Her parents are divorced and her father is off in far-away Thailand, while her mother, Heather (Penelope Mitchell) has remarried a man named Ethan (Ryan Corr) and now they have a six-year-old son named Liam (Jett Berry). And Charlotte’s grandmother, Helga (Noni Hazlehurst) who lives with her sister Gunter (Robyn Nevin) in the same apartment building, but Helga has dementia and often doesn’t know the people who love her. Charlotte is very talented and creative, and she and Ethan are working together on a comic. But Charlotte feels ignored even in this venue. 

One day Charlotte finds a small spider. On impulse, she decides to keep it and raise it, but she neglects to mention anything of its existence in their apartment to either parent. From the beginning, this spider is acting strangely… and it is growing exponentially. Suddenly it’s not quite so small and cute, and it’s becoming a problem for all living things in this apartment building.

 

If you suffer from arachnophobia, this probably isn’t the film for you. There is only one spider, but it’s a doozy. The movie is pretty creepy and definitely keeps you watching to know what happens next. But it also has its humorous moments in the form of Frank the exterminator (Jermaine Fowler), who you might remember from Sorry to Bother You.

 

But although this is a story about a horrible spider that threatens to consume a family, it’s about Charlotte gaining a new understanding and appreciation for what makes a family, and finding her place in it. This is echoed in the story of another neighbor, Maria (Silvia Colloca) who has lost her family and would give anything to have them back. I believe it works on both levels, the acting and directing are decent, and it held my interest. Worth giving a watch, in my opinion. I’ll give this film 3.5 Stars. I was able to watch this movie on Hulu. 

Saturday is Horror Day #192 – Grace: The Possession, Sympathy for the Devil

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Reviewer: Julie Lynn Hayes

Grace: The Possession

Born to a mother who died afterwards, Grace (Alexia Fast) has been raised by her grandmother Helen (Lin Shaye). Eighteen years later, she is off to college and more than a little nervous, having little actual experience with people. Her new roommate is rather forward and outgoing, and introduces Grace to a few of her friends, but Grace finds herself quickly left behind. It doesn’t help when her grandmother calls to admonish her for not taking the Bible with her when she packed for college. Luckily, Grandma has corrected that oversight.

To be honest, I didn’t get any farther than this. The camerawork was driving me crazy, done from Grace’s POV, and Grace herself was a very uninteresting character. Not much to say other than I didn’t care for it and never watched far enough to see Lin Shaye, who was in the Conjuring series.  Oh well, can’t win them all. I recommend skipping this one.

Sympathy for the Devil

A man (Joel Kinnaman) is driving to the hospital to join his wife, who is in labor with their second child, the first having died in childbirth. He is naturally anxious about the pending birth and wants to be with his wife. But he is unexpectedly joined by a man with bright red hair (Nic Cage) who tells him to simply drive. And by the way, he has a gun….

I’ll be honest with you, there is only one reason to watch this film – if you are a fan of Nic Cage, as I am. His performance is high energy cray-cray at its finest. I was actually misled by the title, assuming Nic Cage was playing the devil in human form, but such was not the case. There are some tricks and twists to this film, which is mercifully short, but not of that compares to watching Nic at work. This all takes place in and around Las Vegas. I didn’t like the Driver, he was very weak and uninspiring, but I absolutely loved Nic. If you want to see this, see it for Nic. If you aren’t a fan, you might as well skip it.

I’m giving this film 3 Stars, purely because I love Nic Cage.

Sorry, not exactly winners this week. Better luck next time. Feel free to make suggestions for films you want to see reviewed.

Saturday is Horror Day #190 – Unhinged

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Reviewer: Julie Lynn Hayes

Unhinged

Rachel (Caren Pistorius) thinks she has problems, between her ex-husband, being behind on bills, and then losing her job. But she’s about to learn things can get a whole lot worse… and they do. While attempting to get her son Kyle (Gabriel Bateman) to school on time, because she overslept, she gets behind a truck with a driver who sits through one green arrow. She honks at him then angrily passes him. But she’s picked the wrong man to upset, as this man (Russell Crowe) has just killed two people and isn’t in the best of humor himself. He catches up with her and calmly requests an apology. She refuses, and now the game is on.

Russell Crowe gives new meaning to the term road rage. Of course, Rachel doesn’t know this when she

confronts him, but she quickly discovers just how unhinged he is. What makes this movie scary, in my opinion, is that I can see this happening. Road rage is real and becoming more and more common, unfortunately. Crowe’s character escalates it to a degree that is terrifying, and the people in Rachel’s life suffer for her actions. This sort of things could happen to anyone. My advice is to keep calm, no matter what, and consider that the person you are honking at might be a potential homicidal maniac if you push the right buttons. I found it amusing that Rachel threw her boss under the bus in order to save herself and her son. Wonder what happened when that came out? Definitely worth a watch. I thought Russell Crowe did a good job as the man, while I had little sympathy for Rachel. She was whiny and made bad choices.  I give this film 3.5 Stars.

Saturday is Horror Day #189 – Sharknado 2: The Second One, Fright Night (1985)

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Reviewer: Julie Lynn Hayes

Sharknado 2: The Second One

Having successfully defeated the Sharknado in LA, Fin(Ian Ziering) and ex-wife April (Tara Reid) head to New York City for some family time with Fin’s sister Ellen (Kari Wuhrer) and her husband Martin (Mark McGrath) and their children Mora (Courtney Baxter) and Vaughn (Dante Palminteri). Despite having been close friends at one time, Fin and Martin are barely on speaking terms now. On the plane to New York, a freak occurrence happens in the form of another Sharknado! In the course of fighting if off, in order to save the plane and its passengers, Fin is forced to fly the plane and April ends up losing a hand.

They arrive in New York safely. The original plan is for April to join Ellen and Mora for some girl time,

while Fin joins Martin and Vaughn for a Mets game. But plans change, due to April’s injury. As if this wasn’t bad enough, strange weather patterns are emerging – an arctic front from the north, which is bringing snow to NYC in July! And a warm Gulf stream bearing sharks from the South., which are feared will form into Sharnados. Al Roker and Matt Lauer follow the action for their viewers on The Today Show as Fin finds himself having to go to Met Stadium to rescue his brother-in-law and nephew and hopefully meeting Ellen and Mora at their agreed upon rendezvous point. Meanwhile, April refuses to lie quietly in the hospital when there is work to be done.

The second Sharknado film is actually funnier and more interesting than the first one as it doesn’t even pretend to take itself seriously. There are a number of Easter eggs, and I’m sure I didn’t get them all. For example the Airplane references in the airplane they take to New York, including Robert Hays as the pilot. They end up in a taxi driven by…. Judd Hirsch. Andy Dick plays a cop, Richard Kind a one time baseball great, Robert Klein is the mayor, and so on. Vivica A. Fox plans an old wanna-be girlfriend of Ziering and she kicks major add in this. Some I didn’t realize were there until I saw the credits include Billy Ray Cyrus and Kelly Osborne.

Great moments in filmmaking? No, it’s not. Fun to watch? Yeah, I thought so. And I plan to keep watching them. I’ll give this film 3 Stars.

Fright Night(1985)

Charley Brewster (William Ragsdale) is a typical teen with the usual things on his mind – having sex with his girlfriend Amy (Amanda Bearse) and watching late night horror shows such as Fright Night, hosted by premiere vampire killer Peter Vincent (Roddy McDowell). But he quickly becomes more interested in what’s going on next door when he sees two men carry what looks like a coffin into a newly sold house. He learns from his mother Judy (Dorothy Fielding) that the house has indeed been sold. While looking out his window, Charley spies a pretty young woman in the window next door, next to a man who unexpectedly bares what appear to be fangs, before drawing the shade on whatever is happening. The next day, Charlie learns of another murder of a young woman in their city, and he knows it was the woman he saw, and his next door neighbor is a vampire!

Neither Charley’s best friend Evil Ed (Stephen Geoffreys) nor Amy believe him. Charley tries to

involve the police, but ends up looking foolish. Desperate, he doesn’t know where to turn until he remembers Peter Vincent and turns to him, unaware the actor has just been fired and is in rather desperate straits himself. But even the vampire killer doesn’t want to help Charley. What’s a boy to do?

Charley thinks he has the answer because Ed tells  him a vampire can’t enter your home unless he is invited, but that plan fails when his mom calls him down to meet their new neighbor, Jerry (Chris Sarandon), whom she has invited over. The vampire lets Charley know he is on to him and has unpleasant things in store for him. Charley has to find a way to contain Jerry and keep him continuing to kill the residents of his town.

Before I watched this, I saw the 2011 version and I wasn’t sure what to expect from the original, or how closely the two films resemble one another. The answer is they do have the same characters and basic plots. And the original was actually pretty good. I was afraid it would be a cheesy 80s flick but it wasn’t. It’s usually fun to watch actors in their younger days, and this is true here. I remember William Ragsdale, who plays Charley, in a series which I enjoyed called Herman’s Head, while Amanda Bearse/Amy is best known for playing Marcy Darcy in Married With Children. Roddy McDowell is famous for many things, but if you want to see him do more horror, watch the comedy horror film Arnold and a segment of Night Gallery called The Cemetery, both of which I enjoyed

I liked Fright Night, and I plan to look for the sequel. Not sure if I want to see the modern sequel, since it looks like none of the original actors came back. This version is enjoyable. And I have to say the dance sequence between Jerry and Amy was rather seductive. I give this film 4 Stars.

Saturday is Horror Day #188 – Bunny Lake is Missing, Fright Night (2011)

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Reviewer: Julie Lynn Hayes

Bunny Lake is Missing

 


Moving can be a very busy  and confusing time, especially if you’re moving to another country. Ann Lake (Carol Lynley) has just moved to London with her daughter Bunny to live with her brother Steven (Keir Dullea). Steven has to work so he can’t deal with the movers, so Ann has to drop her child off at the school earlier than she had planned. She takes her to a particular room as instructed, but no one is there except for another child, who is a baby. Leaving Bunny there, Ann searches for the staff, and ends up in the kitchen where she encounters the cook (Lucie Mannheim). The cook has her own rant and barely listens to Ann, telling her to go on and go, she will watch the child for the few minutes until the others arrive. Ann reluctantly does so and oversees the move. She returns later, at lunchtime, to pick up her child – but Bunny is nowhere to be found and no one remembers seeing her.

 

Panic-stricken, Ann calls Steven and he hastens to her. They question everyone in the school, but the 


responses they receive are evasive and uncaring. Steven threatens to call the police and then does so. Superintendent Newhouse (Laurence Olivier) arrives with Police Sgt. Andrews (Clive Revill) and begin to take down the facts. Ann is beside herself with worry, but she seems to be the only one. Eventually, she begins to realize that the questions that are being asked are all leading toward a different question – does Bunny Lake actually exist, or is she a figment of Ann’s imagination?

 

I remember when this book came out, years ago, but I don’t think I ever got to read it (I would have 


been too young at that time and forgot about it). But something jogged my memory recently and I requested the movie from the library. This is a beautifully crafter psychological thriller. Ann is becoming increasingly frustrated that people think she doesn’t even have a daughter, and she is being dismissed as another hysterical woman. Keir Dullea’s performance as Steven led to him being offered a role in Kubrick’s 2001: A Space Odyssey. Otto Preminger directed Bunny Lake. And of course there is the amazing and unforgettable Laurence Olivier as the only person who seems to be interested in what Ann has to say.

 

 

 
As you watch this film, you begin to doubt whether Bunny exists at all, and maybe Ann is more than a little unhinged. The pacing is awesome, and I think that being in black and white sets a mood that color couldn’t do. I enjoyed this film greatly and highly recommend it. I’ll give it 4.5 Stars.
 
Fright Night (2011)
 

Charley Brewster (Anton Yelchin) has always been known as a nerd, but now that he has a girlfriend, Amy (Imogen Poots), he’d rather change his image. So it’s almost inevitable that he doesn’t want to listen to his ex-best friend, Ed (Christopher Mintz-Passe) when he warns Charley that his new next door neighbor, Jerry (Colin Farrell) is a vampire. Whoever heard of a vampire named Jerry? He might be annoying, sure, but that’s because Charley’s mom Jane (Toni Collette) is flirting with him. But a vampire? The idea is ridiculous.
 
 
 
 
 
 
 
 
 
Until suddenly Ed disappears, and Charley sees things he can’t explain. So naturally he breaks into the 

alleged vampire’s house and realizes he is in over his head. Who can he call on that will know anything about vampires? Turns out, since he lives in Las Vegas, there is someone. None other than the great Peter Vincent himself (David Tennant). But getting the renowned performer to listen is another task. And he has to keep his mother from inviting Jerry into the house! What’s a guy to do?
 
 
 
 
 
This is a remake of the 1985 film, which I haven’t seen yet but probably should. So I can’t really compare them yet. But I found this one enjoyable. Colin Ferrell plays a rather intimidating vampire – I sure wouldn’t go up against him. I think everyone did a good job, it certainly held my interest. And David Tennant was awesome, not to mention rather hot as Peter Vincent, although not without some character flaws of his own. I enjoyed watching this, and I think it’s a fun movie, especially if you like vampires, as I do. I’ll give this film 3.5 Stars.
 
 

 

Saturday is Horror Day #187 – Stepfather II: Make Room for Daddy, Sharknado

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Reviewer: Julie Lynn Hayes

Stepfather II: Make Room for Daddy

After murdering one family and attempting to kill a second, Jerry Blake (Terry O’Quinn) is sent to an asylum for people with mental health issues. Of course he wants out, who wouldn’t? Luck is on his side when he is assigned to a new psychiatrist, Dr. Joseph Danvers (Henry Brown). Despite warnings from a longtime guard, Danvers – just call me Joe – trusts Jerry more than he should… and he pays the price for that trust.

Free once more, Jerry departs the Puget Sound area, relocating in Portland, Oregon. There he steals an identity of a dead man and masquerades as a psychiatrist, still dreaming of having the perfect family of his dreams. There he meets the divorced Carol Grayland (Meg Foster) who lives with her son Todd (Jonathan Brandis). Jerry holds group therapy sessions for the women in the neighborhood, including Carol and her best friend Matty (Caroline Williams), who works delivering mail and has a penchant for being nosy. Matty becomes suspicious when she sees that Carol is moving into a relationship with Jerry far too quickly, arguing that she doesn’t even know him. But love is blind, and Carol and Jerry quickly become engaged. It doesn’t hurt that Jerry has begun a relationship with Todd, who misses his father.

But Jerry is still as jealous as he ever was, and noticed the man who comes to see Carol (she lives across the street from him). Turns out it’s her ex and he wants a second chance. How dare he try to take Jerry’s family. Will history repeat itself?

This is the sequel to the first Stepfather, again featuring Terry O’Quinn, who plays an awesome psychopath. He has the strength of his convictions and will not let anybody get in the way of his endgoal – the perfect family. Even if he has to kill his current fiance/wife and find another. I am not a huge Meg Foster fan but she does okay in this, although I think she could have been a little more convincing. I disliked her nosy friend who got what she deserved by confronting a psycho. She should have thought that through a little bit better. And the ex was no loss either. If you liked the first, you need to watch the second. It’s enjoyable. I’ll give this film 3.5 Stars.

Sharknado

Unexpectedly freaky weather is headed to California in the form of a hurricane (which they never get).  But even worse, there are freak tornados as well, which have drawn up and carried hundreds of sharks, which is making life hell for the citizens of California!

Fin Shepard (Ian Ziering) owns a bar and is divorced from wife April (Tara Reid), who has a new 

boyfriend who lives in the house Fin once did, along with their two kids, Claudia (Aubrey Shea) and Matt (Charles Hittinger). Fin has an employee named Nova (Cassandra Scerbo) that he is close to as well as his Tasmanian friend Baz (Jaason Simmons) and a longtime customer George (John Heard). Fin is disturbed by the looming weather and worries for his family but no one is picking up. So he decides to head there to see if they are safe and ends up with passengers. However, the streets are far from safe, and the city is rapidly being flooded, panicking citizens attempting to flee. The sharks are feasting!

I’ve been curious about Sharknado for a while and finally decided to watch it. I knew it wasn’t going to be great moments in cinematic history, and it wasn’t. I suspected it wouldn’t always make sense, and it didn’t. But it was definitely entertaining if one doesn’t stop to consider logic. I kept wondering how a shark, thrown onto dry land, would continue to attack. Or how a shark would literally leap up after prey. Wouldn’t you think being sucked up into a whirling tornado and carried for a great distance would disorient you?  Just saying.

There is the drama between Fin and his ex. He’s jealous of April’s boytoy boyfriend and she’s jealous of Nova. The kids aren’t speaking to Dad and don’t want to evacuate the house after he arrives to save  him. Lord save us from California! But it’s fun to watch cause you never know what will happen. There is lots of blood and body parts and strangely impossible situations (I am skeptical that you can stop a tornado simply by blowing it up). But on the whole, I don’t feel cheated by the 87 minutes I spent watching this film. I’ll give it 2.5 Stars and I plan to watch more, so fair warning.