Author: Naoki Urasawa
Publisher: Viz Media
American release date: August 18, 2009
Format/Genre/Length: Paperback/manga/paranormal/200 pages
Overall Personal Rating: ★★★★★
Reviewer: Julie Lynn Hayes
A man from Japan who lives in Bangkok, Thailand, and goes by the name of Shogun, is being sought by a dangerous element. Mostly because he helps girls in slippery situations out of those situations and sends them home, thus putting himself on the radar of some very bad people. But there is more to his being wanted than just that, as a business associate tells him, it has to do with the drugs he destroyed. A valuable new street drug called Rainbow Kid. The associate has a new job for Shogun. He’s to go to a hotel and remove some low-life drug user before he dies and ruins the reputation of the place. Shogun goes to the room, and the druggie tells him a story involving the police, and the military, and cabinet members… and he’s a cop himself. Nothing is making sense. Friends? What friends? And then Shogun finds a pin, a symbol long forgotten from his childhood….
Shogun learns the last girl he saved has been captured again, and so of course he goes to free her. Once they get out of the place she is being held, she asks him why he is helping her, and Shogun replies, “ (because) I wasn’t there when my own kid died.” On the verge of being attacked, Shogun and the girl are assisted by a group of men, the leader of which introduces himself as a member of the house of representatives, and a member of the FDP—the Friendship and Democracy Party.
Shogun takes the girl to safety then returns to his business associate at the travel agency. But the girl suddenly turns up, much the worse for wear, with an important message about the politician they just met, where she’s seen him before. And an unexpected phone call from an old friend in Japan brings Shogun to the realization that it’s time to go back to Japan. But first, there’s something he’s gotta do…
This volume of Twentieth Century Boys is primarily about Shogun, a character we’ve been long awaiting to take his place on this particular stage. In filling in the blanks of his life, past and present, we get a more cohesive picture of our heroes, and what they’re about, and what they are capable of.
Some time has passed, with Kenji in hiding, blamed for the death of the homeless man. But he’s managed to eluded capture and fly under the rader, and his niece, Kanna, is now three, and cute as can be. Kenji, his mom, and Kanna, have all found shelter with the group of homeless men who insist they need his help, that he is the one who will save the world. Not that Kenji believes that, but at this point, he has few options.
Having learned in the previous volume who the baby daddy is, it’s not hard to extrapolate that at some point, Kanna will become a target for his group. Things are really happening. I love all the back story, as more and more things begin to make sense, and we get a lot of omg and wtf moments. From the beginning of the series, we know that a group of men saves the world, and we can kindof guess who they are, but how they do it definitely remains to be seen. One can surmise that the how involves music in some way, but against this growing group of crazies who are hell-bent on achieving the destruction of the world, that doesn’t seem like a very strong defense.
With every volume, I think I love this series more and more. Can’t wait for the next one!