Wednesday Briefs: June 2, 2025

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Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page. If you are interested in becoming a Wednesday Briefer, please leave a comment or email me at shelley_runyon@yahoo.com.

Hillbilly Hijinx: Part 5 by J Ray Lamb

They made quick work of getting Brodie’s truck unloaded.

Aidan had booked one of the large business suites available in Walnut Ridge. It was a small town and lodging options were fairly sparse. Everyone usually just drove the twenty minutes to Jonesboro, population over one hundred thousand.

The “office space” part of the suite was soon full of boxes of food that didn’t require refrigeration. It had taken several trips in and out to get the truck fully unloaded. Aidan was beyond thankful that Brodie had a topper on his truck which doubled the storage space and

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Saturday is Horror Day #221 – Venom (1981)

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Reviewer: Julie Lynn Hayes

Venom (1981)

Philip Hopkins (Lance Holcomb) is the ten-year-old son of a well-to-do family. His asthma keeps him mostly indoors among the pets he loves and collects. When his mother Ruth (Cornelia Sharpe), goes to join his father in Rome, Philips is left in the care of his grandfather Howard Anderson (Sterling Hayden), a world famous hunter, and the family maid Louise (Susan George) and the chauffeur Dave (Oliver Reed). Philip and his grandfather concoct a little scheme to enable Philip to sneak out of the house long enough to pick up his newest purchase from the dealer – a gray snake. Unknown to them, Dave and Louise have their own plan that is going to go down while the mother is away, one that involves a third man, Jacmel (Klaus Kinski) – they plan to kidnap the boy and hold him for ransom.

Meanwhile, at the Institute of Toxicology, Dr. Marion Stowe (Sarah Miles) discovers that a snake that was

recently purchased by them is not the one they ordered, it’s a common domestic snake. To her horror, she realizes that the purchaser of this domestic snake actually has the black mamba they expected to get – the most dangerous animal in the world. A policeman is sent to the boy’s house to inquire about it, but the nervous kidnappers assume they have been discovered, chaos ensues, and now they are all trapped in the house with a black mamba that is loose and the police are just outside the door – between a rock and a hard place!

To be honest, I didn’t know what to expect with this 1981 film (not to be confused with the Tom Hardy film of the same name). I was very pleasantly surprised. This is definitely no cheap horror film, and the snake is not CGI or cartoonish – and something to be legitimately scared of. There are some well-known actors in this film – Oliver Reed, Sterling Hayden, Susan George, Klaus Kinski, Sarah Miles, and Nicol Williamson as the police commander who is determined to rescue the boy and his grandfather. The acting is wonderful, as is the writing and direction. I had no idea what was going to happen, it is far from predictable. I loved Nicol Williamson’s performance as Commander Bulloch – he commands any scene he is in. You may remember him from the film Excalibur where he played Merlin. Oliver Reed as the chauffeur is prone to act first and think after, which doesn’t work well. You may remember him from such films as Gladiator and Tommy.

Klaus Kinski as the cold rather psychotic German is perfect. You may recall I recently reviewed Nosferatu, where he starred as the titular character. I much preferred Venom and his performance there.  All in all, a very entertaining film, well worth watching. I’ll give this film 4.5 Stars.

Saturday is Horror Day #220 – The Whip and the Body

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Reviewer: Julie Lynn Hayes

The Whip and the Body

Nobleman Kurt Menliff (Christopher Lee) returns to his family castle to congratulate his brother Christian (Tony Kendall) on his marriage to Kurt’s former lover Nevenka (Daliah Lavi). His return is not exactly greeted with open arms by his father the Count (Gustavo De Nardo), Nevenka, the servant Giorgia (Harriet Medin) who blames him for the death of her daughter  or even his cousin Katie (Ida Galli). Tension reigns in the household.

Kurt proves to be a rather sadistic fellow who seems to enjoy torturing the people around him. At one

point, Nevenka over hears her husband and his cousin discussing their love for one another. Horrified, she escapes the castle for some private time by the sea, riding her horse. As she sits on the shore, contemplating her life choices, Kurt finds her, he takes her whip from her and strikes her with it – as though they have played this particular game before. She reacts favorably to his actions and they make love on the beach.

Later, when Nevenka is miss, and everyone is searching for her, Kurt is stabbed and killed by the same knife that killed Giorgia’s daughter. Tension grows as the household suspects one another of being Kurt’s killer, while Nevenka is haunted by the ghost of Kurt. When the Count is also found dead, also by the dagger, there can be no doubt of a killer in their midst. But is Kurt actually dead is the question.

I ran across this Italian film on Shudder. I’d never heard of it, but knowing Christopher Lee was in it was good enough for me. It was in Italian, with English subtitles. I could never tell if That was Christopher Lee’s voice or not since he didn’t have the usual depth of voice one associates with the actor. On the other hand, he was of Italian heritage, so it’s not impossible.

This is a bit of a departure for Lee, being a Gothic type horror film without a vampire in sight. Seeing him kiss a woman without biting her neck is also different. But all kidding aside, this is like a soap opera horror story set in an isolated Italian castle by the sea. The plot was sometimes difficult to fathom but once I sorted it out in my head, it wasn’t too hard to follow. It does have atmosphere, and appropriately angsty music, but it was made in 1963, so the pacing feels a little dated.

I wish the filmmaker had given us better insight as to the nature of the relationship between Kurt and the others, or why he was gone to begin with. So much bad blood, and probably not all justified. It was interesting to watch Lee, in particular, but I don’t think I would watch this again. That being said, I’ll give this film 2.5 Stars.

Wednesday Briefs: June 11, 2025

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Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page. If you are interested in becoming a Wednesday Briefer, please leave a comment or email me at shelley_runyon@yahoo.com.

Don’t Look Back #9(1.8)

Lee’s simple statement of intent derailed Marshall’s entire thought process. In the back of his mind, he remembered the bet. But the prospect of being fucked was a temptation calculated to distract.

Washing dishes wasn’t so bad, was it? Surely worth the price of paradise.

Damn, Lee knew him only too well.

Marshall felt his resolve crumbling. “After I suck you off?” he suggested

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Wednesday Briefs: June 4, 2025

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Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page. If you are interested in becoming a Wednesday Briefer, please leave a comment or email me at shelley_runyon@yahoo.com.

Don’t Look Back #8(1.7) by Julie Lynn Hayes

Marshall found himself transfixed by the sight before him—Lee’s perfect pucker. Generally it was Lee who feasted on Marshall’s hole, but when Lee was in the mood, he allowed Marshall the privilege of tasting him there.

“Come on, buttercup, I don’t have all night.”

Marshall knew Lee was only teasing. He glanced up to see that slow, lazy smile that went straight to his heart, and he had to grin himself. “Don’t think you can last that long, old-timer?” he taunted him.

Lee snorted.

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Saturday is Horror Day #219 – The Prowler (1981)

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Reviewer: Julie Lynn Hayes

The Prowler(1981)

At the end of World War II, many soldiers came home to find the women they loved had sent them Dear John letters, ending their relationship. In the town of Avalon Bay, after the war was over, a young couple are brutally murdered by a man with a pitchfork, and their murders go unsolved.

Thirty-five years, the teens in Avalon Bay are holding their annual graduation dance. But the joyful event is married when a prowler is reported to be in the community. They are told to stay at the school and not to leave until the man is caught. But a killer is on the loose in Avalon Bay and he wears the fatigues of a US World War II soldier….

This film is definitely a product of the 80s, as evidenced by the writing, the acting, and the production values. It has a couple of names I recognized, such as Farley Granger and Lawrence Tierney, but most of the cast is unknown to me. I like Farley Granger in Rope, an Alfred Hitchcock film based on the story of Leopold and Lobe, but I fear he is wasted here.

I confess to being confused by the motivation of the soldier/killer here. If he was jilted 35 years ago, why come at these teens so long after the fact? Did he keep his original pitchfork or what? I will admit that some of the scares are effective and I did jump a time or two. But the film is uneven, and those moments did not sustain my interest. Luckily, it’s only about an hour and a half long. I’ll give this film 2 Tars.

Wednesday Briefs: May 28, 2025

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Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page. If you are interested in becoming a Wednesday Briefer, please leave a comment or email me at shelley_runyon@yahoo.com.

Don’t Look Back #7 by Julie Lynn Hayes


Marshall and Lee’s sexual relationship didn’t begin until Marshall turned eighteen. Lee’s choice, not Marshall’s. He wanted to be with Lee sooner, but Lee refused.

“Gotta crawl before you can walk,” he’d said in his laconic way. Marshall didn’t even understand what that meant, but his objections got him nowhere. He considered himself lucky Lee didn’t punish him for his smart mouth, not to mention some of the comments he’d let loose with. But he’d been allowed some leeway. At least on this one point. Marshall still had to toe the line in all other ways.

So Marshall had to content himself with studying the

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Saturday is Horror Day #218 – Nosferatu the Vampyre (1979)

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Reviewer: Julie Lynn Hayes

Nosferatu the Vampyre (1979)

Solicitor Jonathan Harker (Bruno Ganz) is sent by his employer Renfield (Roland Topor) to Transylvania to assist a new client, Count Dracula (Klaus Kinski) in the purchase of a house in Wismar, Germany, where Harker lives with his wife Lucy (Isabelle Adjani). The people in the nearby village warn him not to go there, that there is no castle, and only danger lies there. But he doesn’t listen and, when they refuse to take him there, he walks to the Borgo Pass, where he is met by the Count’s carriage.

The castle is a strange place, and so is the Count. Harker finds it difficult to get him to concentrate on the business at hand. But when he accidentally cuts himself, the Count’s reaction is inexplicable. Harker finally realizes there is something very off about Dracula. Even worse, he is a prisoner in this place – and Dracula is headed toward Wismar – and Lucy.

Meanwhile, Lucy is anxious to learn any news of her husband, who has fallen silent. Her friend Mina (Martje Grohmann) tries to console her, but Lucy is distraught. When a mysterious man appears in her bedroom, the Count, Lucy is both frightened and fascinated. Meanwhile, there seems to be a growing problem with rats in Wismar, and as they spread their plague among the village, the death toll is rising, as Harker races back to save his wife.

I admit I had some high hopes about this version of Nosferatru, and the review I saw was good, but I quickly became disillusioned and almost turned it off, but decided to stick it out in order to give it a fair shot.  That didn’t help. Where to start? The actor playing Renfield was so manic and over the top, that in reality, he would have been locked up well before he was in this film.

Also, I found Isabelle Adjani’s acting to be terrible, and very over the top but not in a good way. I understand she is considered to be a talented actress, but I saw none of that in this film.

The original Nosferatu was an actual rip-off of Bram Stoker’s Dracula (and they did get sued for that). In this version, for some reason, they made some changes to the original story. Lucy is Harker’s wife, instead of Mina. The other suitors, aka Dr Seward and Quincy Morris, are nowhere in evidence. And the rats is simply a twist on Dracula’s ability to control the rats in the scene in Carfax Abbey.

Klaus Kinski’s make-up, as Count Dracula, is clearly modeled after the original Nosferatu, but his mannerism is at times almost simpering. Other than the fact that he drinks blood from his victims, what is scary about him? Nothing. Neither does he possess the sensuality of Bela Lugosi or Gary Oldman.

All in all, I was disappointed in what at first glance appeared to be a pretty film. But alas, I discovered that it lacked the substance I was hoping to find. I’ll give this film 2 Stars.

Wednesday Briefs: May 21, 2025

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Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page. If you are interested in becoming a Wednesday Briefer, please leave a comment or email me at shelley_runyon@yahoo.com.

Don’t Look Back #6(1.5) by Julie Lynn Hayes

“Feeling restless?”

Marshall never turned as Lee came up behind him. He gazed through the screen door, his focus on nothing in particular. A recent rain had dropped the temperature to more bearable levels, and the cooling breeze that was blowing into the house was a welcome visitor. Thirsty birds dipped their beaks in the water-filled bowl of the concrete bird bath; turtles rimmed the edge with stony gaze and dragonflies circled the pedestal. A rabbit shot across the grass, his companion haring after him; both were quickly lost to view.

“Mmm, what makes you think so?”

Marshall felt Lee press against him, his hands flat against Marshall’s hips, his head resting on Marshall’s shoulder familiarly.

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Saturday is Horror Day #217 – The Changeling (1980)

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Reviewer: Julie Lynn Hayes

The Changeling (1980)

Composter John Russell (George C. Scott) loses his wife and daughter in a horrible accident that leaves him devastated. Several months later, his concerned friends urge him to get away so he rents an old mansion near Seattle, owned by a Mrs. Norman (Madeleine Sherwood). Her daughter Claire (Trish Van Devere) helped him to get the mansion, and she is very helpful in aiding him to settle into the huge mansion. The house seems like a great place for him to resume his composing. But he quickly discovers that he is not alone in the house. As he grows closer to Claire, together they seek to find the answers to the secrets of the house – and the powerful man who is guarding them.

I remember when this movie came out, but I never made an effort to watch it until yesterday, not sure why, but I should have. The film was directed by Peter Medak, who also directed movies such as The Ruling Class and Romeo is Bleeding, as well as episodes of Hannibal and House. The Changeling was beautifully directed and filmed. George C. Scott was already a well-known and very talented actor, but I hadn’t seen one of his films in years, so it was almost like watching him for the first time. Trish Van Devere, who plays Claire, was Scott’s fifth wife. They were married in 1972 and remained married until his death in 1999.

Among the rest of the cast, veteran actor Melvyn Douglas plays a senator whose family once owned the mansion, Jean Marsh plays the ill-fated wife, Barry Morse is a parapsychologist, and John Colicos a detective. If you’re old enough you might remember Madeleine Sherwood from the TV series The Flying Nun – she played the head of the convent where Sally Field was a nun.

A haunting musical score lends atmosphere to this lovely film. The heartbreak of the present helps to solve the sins of the past. This is a great example of a haunted house film, one that I highly recommend. I’ll give this film 4.5 Stars.