Tag Archives: Julie Lynn Hayes

Book Review: Skip Beat! Vol 3 by Yoshiki Nakamura

Skip Beat! Vol 3     

Author: Yoshiki Nakamura

Publisher: Viz Media

American release date: November 7, 2006

Format/Genre/Length: Paperback/Shojo Manga//200 pages

Overall Personal Rating: ★★★★

Reviewer: Julie Lynn Hayes

 

When the director offers to give Kyoko a tea-making lesson, as he’s doing with Ruriko, she turns him down. She doesn’t need that, having learned how to perform a tea ceremony a long time ago at the inn run by Sho’s parents. But she doesn’t tell him that, of course.  She’s trying to put all that behind her. When she learns that Ruriko isn’t really ill, as she thought, merely spoiled and pampered, Kyoko grows angry and more determined to best her. Ren tries to persuade her to drop out of the contest, due to her injury, but he doesn’t know her very well, and she refuses to back out.

Ren runs through the lines with Ruriko, and then it’s Kyoko’s turn, and an amazing thing happens. Ren’s acting changes, as he becomes more serious with her, and his acting provokes an unexpected response from Kyoko which blows everyone away. However, Kyoko is more seriously hurt than she has let on…

Kyoko has scared Ruriko enough that she ceases her previous behavior. When Lory learns that the change in his actress is due to Kyoko, rather than Ren,  he is surprised. As a parting gift, the grateful director allows her a photo shoot, complete with make-up, which makes Kyoko very happy.

Back at LME, Kyoko unexpectedly encounters one of the other actresses from the LME auditions, who is surprised to see Kyoko there since she flunked the audition. But Moko can’t afford to be too high and mighty, as Kyoko learns that she is the newest member of the Love Me section! Kyoko is determined that the two of them will get through this together, so thrilled is she to have someone else to share her misery with.

Kyoko wants to attend the LME actor training school, in order to work on her craft, but the cost is rather prohibitive. However, when Lory requests a favor of her regarding his wayward granddaughter, Maria, Kyoko wonders if maybe this is the answer to how she can afford to get into the school.

Much going on in this volume. I think Kyoko is becoming serious about her acting, as opposed to just wanting to become more successful than Sho. It’s not just an ends to a mean, but something she really wants to learn to do well. Also, I think Ren is starting to see her as someone with more talent than he’s given her credit for. Okay, so Kyoko didn’t get the part. No one wins all the time, but she won something more. She was able to make a veteran actress change her horrible ways, and she brought out something in Ren. Or he brought it out in her. Or maybe it’s mutual.

I love Lory’s faith in her. He’s rather unconventional, but a lot of fun, and he sincerely loves his granddaughter, who is just a little girl but is being blamed for the death of her mother. No wonder she acts up! He has a feeling that Ms. Mogami can get through to her. At least he hopes so, as he doesn’t know where else to turn. I love the bonding that takes place between Kyoko and Maria (even if others might find it a little frightening). I love the humor in this series, but it’s also serious and dramatic too.

Looking forward to the next volume.

Book Review: Skip Beat! Vol 2 by Yoshiki Nakamura

Skip Beat! Vol 2     

Author: Yoshiki Nakamura

Publisher: Viz Media

American release date: September 5, 2006

Format/Genre/Length: Paperback/Shojo Manga//200 pages

Overall Personal Rating: ★★★★

Reviewer: Julie Lynn Hayes

 

Kyoko’s audition for LME has failed, so she finds another day job instead.  She feels like a loser, which is bad enough, and then she sees Sho in a cosmetics commercial on TV, reminding her of why she wants to succeed in show business. Then just by coincidence a large bus pulls into the place where she works, and who should step out of the bus but Sho himself? Kyoko is terrified he’ll see her and realize her failure, but he doesn’t even recognize her (in all fairness she did get an expensive makeover after selling her Sho memorabilia).  Rather than release her anger at Sho, however, she pretends to be a number one fan, to throw him off the track, even speaking the words he longs to hear.

Meanwhile, the head of LME, Lory, is intrigued by what he has seen of Kyoko, and sets the stage for her return. At least he hopes she’ll return. Ren Tsuruga does not hope so, since he dislikes her reason for wanting to exceed in show business. But Lory sees something in her and wants to fan that spark into a flame. And go back she does, determined to succeed. Which is how she ends up in LME’s new section – the Love Me Section. Not quite what she was hoping for, but hey, it’s a foot in the door. Work her way up from the bottom? In this case, she’s starting from the basement! And she has to do anything that is requested of her, no matter how silly or menial or demeaning. How well she does will be reflected in the points she is given for her job. And if she earns enough points, she can become a proper part of the agency. What does it matter that she has to wear a bright hot pink uniform with Love Me written on back and front, and that people who see her are laughing at her? He who laughs last laughs best, after all.

Kyoko runs into LME actress Ruriko Matsunai, who wishes to make a request of her, which Kyoko agrees to. Unknown to her, Lory is hoping that by putting Ruriko into a film with Ren,  Ren can help to cure some of her bad habits. Such as lack of punctuality. And demanding to be pampered. Ruriko has had a special umbrella made for some outdoor scenes (costing a day of delay waiting for the umbrella). She wants Kyoko to carry it for her. Kyoko, thinking the actress is allergic to UV rays, is determined to be her white knight and help keep her safe. She ends up carrying the actress up a hill toward the shooting set and injuring herself in the process. Can that be Ren Tsuruga to the rescue? Le gasp!

When Ruriko displays her usual bratty behavior and refuses to work, the director gets Kyoko to step in for her, despite her injury. And suddenly Ruriko is worried that she may actually lose her role to someone she refers to as a hyena. Could this be Kyoko’s big break?

I can’t say enough good things about this series and love it to death. Kyoko is such an interesting character, and certainly not perfect. You could definitely say she has issues, chief among them Sho Fuwa. But she has integrity and she takes pride in her work, and goes above and beyond the call of duty.  And she has a very big heart. How can you not hope she gets the final laugh at Sho? Lory is quite the character, a man of a million costumes and quirks, but he has a good heart and good instincts about people.

Another great volume, looking forward to the next.

Book Review: Bleach, Vol 36 by Tite Kubo

Bleach, Vol 36     

Author: Tite Kubo

Publisher: Viz Media

American release date: September 6, 2011

Format/Genre/Length: Paperback/Manga/Supernatural/200 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

 

Even as the Soul Society rushes to the rescue of Karakura Town, the pendulum swings back, back, back… 110 years back to be precise. Back to what came before.

Shinji Hirako is captain of the Fifth Company, and his assistant captain is Sosuke Aizen. They, along with the other captains, are assembling to welcome the newly promoted captain among them. On the way, Shinji is suddenly attacked by Hiyori Sarugaki, assistant captain of the Twelfth Company, but she is quickly put in her place by Love Aikawa, the captain of the Seventh Company. Among the other captains arriving for the occasion is Shunsui Kyoraku, captain of the Eighth Company, and Jushiro Ukitake, captain of the Thirteenth Company. The captains line up and wait. After a time, a fellow enters through the large doors. He seems a little nervous and unsure of himself, even as he introduces himself as Kisuke Uruhara. He is the new captain of the Twelfth Company. He doesn’t make a very good first impression on the others, and is snapped at by his friend, Yoruichi Shihoin, captain of the Second Company, to enter with confidence.

The next day, Hiyori is outraged to find Kisuke changing his room, and she punches him. Despite her actions, he asks for a favor from her… to please accompany him to the Maggot’s Nest. As he explains to her on the way, the Thirteen Court Guards don’t have a plan in place for members who wish to resign. Also, there are eyes kept on all of them, searching for signs of trouble within the ranks.  Those who display such signs, and those who wish to resign, end up in a special place (translate under confinement) from which they cannot leave. Why does Kisuke wish to go to the Maggot’s Nest to begin with, now that he is with another company? There is a particular prisoner he wishes to speak with, a man by the name of Mayuri Kurotsuchi. Kiskue wants his help.

Something strange is going on in the Rukongai. People are literally disappearing, leaving nothing but their clothes behind.  Members of the squads are sent to investigate. Kiskue asks Hiyori to visit the scene of the disappearances to obtain samples he badly needs for what he is doing. Since becoming captain, he has established the Twelfth Company as Research and Development, with Kurotsuchi as his chief assistant. Hiyori dislikes Kurotsuchi and his disdain for rules, and she doesn’t want to go on Kisuke’s errand, but she grudgingly does.

At a meeting of the captains to discuss the situation, both the Captain and Assistant Captain of the Kido Corp are chosen by the Old Man to investigate. But Shunsui suggests that perhaps this is a dangerous idea. Instead of sending Tessai, he proposes his own Assistant Captain, Lisa, who just happens to be within earshot  (she’s been eavesdropping on the meeting), and she agrees to help so off she goes.

Things go from bad to worse, as the three who are well known in the future as villains, begin to work their evil deeds.

This has to be one of my favorite Bleach volumes ever, this visit to the past where we see our heroes as they once were.  I especially loved the story of Kisuke and Mayuri (who barely looks like himself!). We see the young and volatile Byakuya, as well as those who later become the Visoreds. I have to admit my heart broke, seeing them as they once were, before the perfidy of Aizen and his cohorts cost them so much. At one time I really disliked Shinji (whom I often refer to as the Little Dutch Boy), but I have come to really like him. We watch as Aizen recruits a very young Gin. And also, we see Shunsui meet Nanao, which is so cute in and of itself.

The worst part is watching the drama unfold and knowing how this story will end in much tragedy and sorrow. Yet also hope.

I’m sure there’s more to come, can’t wait to read it! Another great volume!

Book Review: Bleach, Vol 35 by Tite Kubo

Bleach, Vol 35

Author: Tite Kubo

Publisher: Viz Media

American release date: June 7, 2011

Format/Genre/Length: Paperback/Manga/Supernatural/208 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

 

Kurotsuchi has shut down Szayelaporro for a long time to come, stretching time to an infinitesimal slowness as he waits in agony for the sword to pierce his chest. So, that being done, on to other things. Meanwhile, Nnoitora and Kenpachi are still going at it. The Espada is confident that nothing Kenpachi can do will harm him. Can the Soul Reaper have met his match?

At one time, Nnoitora and Nelliel worked together for Aizen, but there is no love lost between them. Memories of their antagonism flow through his brain as the battle with Kenpachi reaches an end…

But wait… the regularly scheduled program is being interrupted by an announcement from former Captain Aizen. First, he is done with Orihime and has no further use for her. Secondly… he is about to destroy Karakura Town. He gives the location where he has put Orihime, but a choice must be made. Save the girl or save the town. Can’t be both.

Tick tock, tick tock, the clock is ticking the time away. What to do, what to do, what to do?

What would Ichigo do?

A great deal of this volume of Bleach is concerned with the battle between Kenpachi and Nnoitora, and it’s not always clear who will prevail. The part with Kurotsuchi tickles me, as Uryu and Renji watch in horror at the way he is able to revive Nemu. I must say that Kurotsuchi is very… different. And not in an entirely bad way. Still, I wouldn’t want to hang out with him.

And now we’re getting ready for the next arc, in which the Soul Society, along with Ichigo, work to save Karakura Town, as well as Orihime, and some other heroes are about to take to the stage. Another great volume of Bleach, looking forward to more.

Book Review: Twentieth Century Boys, Vol 10: The Faceless Boy by Naoki Urasawa

Twentieth Century Boys, Vol 10: Faceless Boy   

Author: Naoki Urasawa

Publisher: Viz Media

American release date: August 17, 2010

Format/Genre/Length: Paperback/manga/paranormal/216 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

The meeting which Kanna has arranged has been interrupted by a man who styles himself a savior, and who dies for his cause. Now the police are outside, demanding the crowd disperse. Has Kanna achieved her goals, or was this gathering a failure? The young detective, Chono, is able to keep the police force at bay, at least for now, by claiming he’s protecting a crime scene. How long can that last?

Koizumi, home from Friend Land, goes to see her favorite band but finds there is something different about them. Turns out they fired their guitarist, Damian Yoshida, because of irreconcilable differences. Koizumi can’t stop dreaming of Friend Land, and the strange boy who tries to take off his mask. She doesn’t want to see his face, though, fearful of what might happen to her if she does.

Koizumi attempts to speak with Kanna at school, but that doesn’t turn out very well. Instead, she’s approached by someone who calls themselves a Dream Navigator. They inform her that she is soon to go to Friend World, like it or not. The very thought is frightening to Koizumi. Her parents, on the other hand, seem thrilled for her and have no clue how dangerous a place it really is. A terrified Koizumi remembers the card she got from Yoshitsune. Can he help her? Things go from bad to worse when she sees the new home room teacher, and recognizes his face…

This series just gets better and better. It seems as though things are gearing up to happen during the Pope’s planned visit to Japan. Obviously, the Friends have an agenda, but what is it? To further ingratiate themselves to the world? Or maybe take it over? Either way, they need to be stopped. Not to mention, they need to be outed as the true perpetrators of Bloody New Year’s Eve, and Kenji needs to be exonerated.

Koizumi is playing a dangerous game, but with the aid of Yoshitsune, she may just turn out all right. And what we think we know turns out to be very wrong, which leaves us back at square one again. Makes you wonder why so many people put their trust in a man who never ever shows his face, based on the alleged actions of some of his followers. And what does Kanna’s mother have to do with anything? More questions than answers here!

Anxiously awaiting the next volume.

Wednesday Briefs: May 29, 2021

Here is a list of all the authors flashing this week, along with a brief snippet from their latest free work. Click the link after the snippet to be taken to the complete story on the author’s home page.

Ancalagon: Chapter Thirty-nine by Cia Nordwell

I climbed up and slotted between his legs, gasping when his shaft stroked along mine before I could wrap my hands around them. How did he do that? My eyes threatened to roll back in my head. “You are so soft everywhere,” he rasped. “But this is so hard.”

“Uh-huh.” I ached to come already. I wouldn’t let him take me over like he had last time though. This time I was scenting him. I captured our shafts in two of my hands. His fluids and my clearer precome mingled already, easing the glide of my palms.

I hissed. “So

Continue reading

Book Review: Twentieth Century Boys, Vol 9: Rabbit Nabokov by Naoki Urasawa

Twentieth Century Boys, Vol 9: Rabbit Nabokov   

Author: Naoki Urasawa

Publisher: Viz Media

American release date: June 15, 2010

Format/Genre/Length: Paperback/manga/paranormal/216 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

 

Koizumi was sent to Friend Land because of her desire to write her paper on Bloody New Year’s Eve, although she tried to change her subject but was not allowed to. There she discovers that people who do not conform disappear. And just what is Friend World? Can it be worse than this? She learns that being sent to Friend World is not something anyone wants. Koizumi is shocked to learn one of the janitors is none than Yoshitsune, one of the Kenji Faction and long presumed to be deceased. He warns her that if she flunks out of Friend Land she will be sent to Friend World, so she has to do well. When she places in the top three, she finds herself in the past, where she meets the Kenji Faction as children. She thinks this is her opportunity to get to the bottom of things, but Yoshitsune is afraid she will see the Friend’s actual face… and be killed for that knowledge. He must stop that from happening!

When Kanna finds a token, her friend Mariah explains that it comes from the Casino. Remembering her uncle Kenji’s stories about the Woodstock experience, Kanna decides to make a lot of money, using her unusual talents, in order to do what must be done. She and Mariah and Chono head to the Casino. She starts off winning a little, but decides that method is too slow. That’s when someone tells her about a game with great risks but enormous payoffs, known as Rabbit Nabokov.

Yukiji learns of the crowd that is gathering because someone is allegedly giving out money. But Yukiji remembers what was said in the Book of Prophecy: “At the meeting a savior will rise up for the forces of good…but the savior will be assassinated.” Both Yukiji and Otcho race to the scene of the meeting, hoping to prevent that from happening. Can they outrun Fate?

Things are really getting exciting, what with Koizumi undercover at Friend Land, and Kanna raising awareness to prevent the assassination of the Pope. Otcho comes out of hiding and we now know that Yoshitsune is still alive. Can we hope that Kenji’s arrival is imminent, or is that expecting too much? And yet, he has been the leader all along, the voice crying in the wilderness. I’m going to cross my fingers and keep on believing!

Also, look for someone we’ve often wondered about but never really met to make an unexpected appearance at the end of this volume! Can’t wait for the next one!

 

Book Review: Twentieth Century Boys, Vol 8: Kenji’s Song by Naoki Urasawa

Twentieth Century Boys, Vol 8: Kenji’s Song     

Author: Naoki Urasawa

Publisher: Viz Media

American release date: May 25, 2010

Format/Genre/Length: Paperback/manga/paranormal/216 pages

Overall Personal Rating: ★★★★★

Reviewer: Julie Lynn Hayes

Otcho continues telling Kakuta, the manga artist, what actually happened on the night of Bloody New Year’s Eve. When the Kenji Faction reached the giant robot that was wreaking such havoc and spreading disease, they discovered how crude and haphazard it really was, nothing like what they had envisioned as children. With only three minutes remaining until the next chemical spray was to release, Kenji decides to go up into the mechanism himself, despite the objections of his friends. But when does Kenji ever really listen to advice? Meanwhile, the Friends, led by Manjome Inshu, offer the government the vaccine which they just happen to have on hand for just such an occasion, and they will also destroy the beast which is spreading it, thus saving everyone. Such good Samaritans, eh?

As the twentieth century comes to an end, Kenji confronts Friend, who reveals his identity. Years later, Kanna visits the site where Kenji died with Chono, the detective, and plays the tape of Kenji’s last song for him. And the group of saviors, whose arrival has been foreshadowed since the series began, turns out to be… none other than the Friends, who “saved” the world from the evil Kenji Faction. Koizumi, the student who has decided to do her paper on the events of Bloody New Years Eve, learns to her amazement, from Kamisma, that what is being taught in the schools about that day is all wrong. Kamisama tells her that he has been looking for Kenji’s niece Kanna ever since, and Koizumi has an idea where she might be.

When Koizumi tells her teacher she’s changed her mind about the subject of her paper and wishes to change it, he tells her it’s too late, she’s already been chosen to go to Friend Land, and such an honor that is. The question is, can she survive such an honor?

The tension is rising to unbearable levels as we continue to learn what actually happened on that fateful New Year’s Eve. Having assumed that Kenji and his friends successfully saved the world, it’s both shocking and appalling to learn that quite the opposite has happened, and the Friends have taken the upper hand all the way. When Koizumi finds herself at Friend Land, she discovers that it’s far from being a friendly place, and if she doesn’t watch her step, she might be sent to Friend World! She meets someone long thought dead and joins a group determined to right the wrongs of the past.

I still find it hard to believe Kenji died that night, and I hold out the hope that he will turn up at some point, and that he will be reunited with Kanna, with his friends, and with Yukiji.  Another great volume, looking forward to the next.

Saturday is Horror Day #11 – Nosferatu (1922) – (x-posted at Full Moon Dreaming)

Reviewer: Julie Lynn Hayes

 Nosferatu (1922)


A young married man  named Thomas Hutter (Gustav von Wangenheim) is sent on a business trip by his employer Knock (Alexander Granach). The purpose of his trip is to help finalize the sale of a house in England to a distant customer, Count Orlok (Max Schreck) in Transylvania. Although missing his wife Ellen (Great Schroder). Hutter dutifully makes the trip. But the closer to the Count’s home he gets, the more the people become nervous and afraid for him. He can’t even get transportation all the way to his destination, as the driver refuses to go any closer. But as he sets out to walk the remaining distance, a carriage appears, and its strange driver beckons to Hutter to get in.

Hutter finds the castle eerie and the count peculiar. But business is business, and once he is done he can


return to his beloved wife. While going through some papers, Hutter accidentally drops a miniature of his beloved, which the Count picks up. The odd nobleman seems quite taken with Hutter’s pretty missus, to his consternation. Things get even eerier when at night, he spies the Count loading coffin-shaped boxes onto a wagon, all by himself! When Hutter investigates during the day, he discovers the Count lying in a coffin, and realizes he has to get out of there as soon as possible! But he is stricken by a strange illness, and begins to wonder if he will ever make his way home.

Ellen anxiously awaits her husband’s return, in the company of her husband’s friend, Harding, and Harding’s sister Ruth (Ruth Landshoff). In the meantime, the Count has acquired passage for himself and his boxes on a ship bound for England. But strange things begin to happen on this vessel. Sailors grow sick and die, but no one can determine the cause. And when the ship pulls into the port, there is no one left alive.

 

The village begins to be troubled by mysterious deaths for which the citizens find a scapegoat – the increasingly erratic Knock, who has fallen under the Count’s spell, albeit from a distance, and who looks forward to the master’s arrival.

Hutter returns at last, to Ellen’s relief, and she finds the book he was reading while in Transylvania, Nosferatur, which gave him such terrible nightmares. He warns her not to read the book but she can’t help herself, and finds herself drawn to the mysterious Count. According to legend, only a beautiful maiden can break the curse of Nosferatu, by keeping him in thrall until the cock crows, and with her blood. Ellen knows what needs to be done…

This is the German film that started it all, the first cinematic version of Dracula, even before Bela Lugosi enchanted us so so me years later. Director F.W. Murnau has given us a cinematic classic. The reason  it wasn’t called Dracula, even though it’s taken from the novel by Bram Stoker, had to do with problems with the Stoker estate  This film is silent, and being silent, of course everything is told in the actor’s actions, as well as the dialogue cards. To those unused to silent films, the action may come across as melodramatic and over the top. But even almost a hundred years later, Nosfterau has a presence that can’t be denied. The music, the cinematography, the editing, as well as the performances, add up to a classic horror film which stands the test of time. This is my first time viewing it, but won’t be the last. One of the scenes which impressed me was the arrival of the ship, an ordinary event, and yet so not ordinary considering what is about to unleased on an unknowing city. Next time I’ll watch it at night, I’m sure it will add an element of gothic horror.

I recommend this film, and give it a solid 4 stars.

Book Review: You Love Me (You #3) by Caroline Kepnes

You Love Me (You #3)     

Author: Caroline Kepnes

Publisher: Atria/Emily Bestler Books

American release date:  April 6, 2021

Format/Genre/Length: Paperback/Psychological Thriller/400 pages

Overall Personal Rating: ★★★★

Reviewer: Julie Lynn Hayes

 

Joe Goldberg’s dreams of a forever love with Love Quinn, mother of his future child, have been crushed following the death of Love’s twin brother Forty and Joe’s arrest on suspicion of murder—namely RIP Beck and RIP Peach. But thanks to the wealthy Quinn family, Joe is freed and given 4 million dollars to go away, with the proviso that he sign a paper that says he must stay away from his son, whom Love names Forty in honor of her brother.

Joe winds up moving to Bainbridge Island, Washington, in a house bought for him by the Quinns, where he becomes a volunteer at the local library and falls madly in love with librarian Mary Kay DiMarco. Mary Kay comes with baggage, in the form of teen-age daughter Nomi,  whom Joe refers to as the Meerkat, but so what? Joe can deal with that. But MK (as he calls her) is hiding something else from him, something that is an even greater obstacle to their happiness, in the form of a has-been rock star husband named Phil.

Simple enough for Joe Goldberg, right? Not like he hasn’t killed people before, he has. But Joe has turned over a new leaf. He doesn’t want to hurt anyone, much less kill them. He’s a good boy, he is. But suddenly, people are dying, and none of it’s his fault. So why is he being made to suffer for their deaths?

The third book of the You series is just as delightful as the first two, with the deliciously psychotic Joe Goldberg as the main attraction. I love reading Joe’s voice, and his humor, even if I don’t get all the references (I do get a lot of them, though). Joe’s trying to do the right thing but the universe seems determined to get him, and his growing softness might just be the end of him.

More interesting characters along with some very unexpected events. Definite roller coaster ride with its ups and downs, and never knowing how things will turn out for Joe. Will surely be reading the next one whenever it comes out. I know this is not the end of the line for our hero, and I look forward to reading more as I wonder what he will be up to next.